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This is a goat.
Before Hitchcock and Herrmann, before Herzog and Kinski, there was Charles Brackett and Billy Wilder. Despite their shared nickname, writer-producer Charles Brackett and writer-director Billy Wilder were not, in fact, the "happiest couple in Hollywood." Actually, they disliked each other intensely, even as they collaborated on some of the most iconic films of Hollywood's Golden Age, including Sunset Boulevard, Double Indemnity (from which Brackett eventually withdrew), The Lost Weekend, and A Foreign Affair. Just how two men who found each other so irritating could together make such enduring contributions to cinematic history is the subject of Double Solitaire, a joint biography of a fascinating and explosive creative collaboration. In the course of making their mark on genres ranging from film noir to the screwball comedy, they achieved an almost inexplicable alchemy that highlights the paradoxical nature of shared genius. Author Donald Brackett--whose great-great-grandfather was Charles Brackett's cousin--delves into family lore, correspondence, contemporary media reports, and all other manner of historical records to reconstruct the strange magic of Brackett & Wilder's combustible partnership, showing how their creative tensions yielded one classic film after another, and how their entrepreneurial drive pushed against the constraints of the studio system, anticipating the independent-producer models of today.
"This book inspires us all to immerse ourselves in the vast potential of music and other creative arts to heal our wounds, sharpen our minds, enliven our bodies, and restore our broken connections." --Bessel van der Kolk, #1 New York Times bestselling author of The Body Keeps the Score World-renowned soprano and arts/health advocate Renée Fleming curates a collection of essays from leading scientists, artists, creative arts therapists, educators, and healthcare providers about the powerful impacts of music and the arts on health and the human experience Chapters include: Ann Patchett, "How to Fall in Love with Opera" Yo-Yo Ma, "Nature, Culture, and Healing" Aniruddh D. Patel, "Musicality, Evolution, and Animal Responses to Music" Richard Powers, "The Parting Glass" Daniel J. Levitin, "What Does It Mean to be Musical?" Anna Deavere Smith, "Healing Arts" Rosanne Cash, "Rabbit Hole" Rhiannon Giddens, "How Music Shows Us What It Means to Be Human" Robert Zatorre, "Musical Enjoyment and the Reward Circuits of the Brain" Concetta Tomaino, "Music and Memory" A compelling and growing body of research has shown music and arts therapies to be effective tools for addressing a widening array of conditions, from providing pain relief and alleviating anxiety and depression to regaining speech after stroke or traumatic brain injury, and improving mobility for people with disorders that include Parkinson's disease and MS. In Music and Mind Renée Fleming draws upon her own experience as an advocate to showcase the breadth of this booming field, inviting leading experts to share their discoveries. In addition to describing therapeutic benefits, the book explores evolution, brain function, childhood development, and technology as applied to arts and health. Much of this area of study is relatively new, made possible by recent advances in brain imaging, and supported by the National Institutes of Health, major hospitals, and universities. This work is sparking an explosion of public interest in the arts and health sector. Fleming has presented on this material in over fifty cities across North America, Europe, and Asia, collaborating with leading researchers, policy-makers, and practitioners. With essays from notable musicians, writers, and artists, as well as leading neuroscientists, Music and Mind is a groundbreaking book, the perfect introduction and overview of this exciting new field.
Instant New York Times Bestseller "An absorbing account of 21st-century brinkmanship . . . . one that should be read by every legislator or presidential nominee sufficiently deluded to think that returning America to its isolationist past or making chummy with Putin is a viable option in today's world." -New York Times Book Review The essential new book by CNN anchor and chief national security analyst Jim Sciutto, identifying a new, more uncertain global order with reporting on the front lines of power from existing wars to looming ones across the globe. The fall of the Berlin Wall in 1989 dawned what Francis Fukuyama called "The End of History." Three decades later, Jim Sciutto said on CNN's air as the Ukraine war began, that we are living in a "1939 moment." History never ended--it barely paused--and the global order as we long have known it is now gone. Powerful nations are determined to assert dominance on the world stage. And as their push for power escalates, a new order will affect everyone across the globe. Russia's invasion of Ukraine is a part of it, but in reality, this power struggle impacts every corner of our world--from Helsinki to Beijing, from Australia to the North Pole. This is a battle with many fronts: in the Arctic, in the oceans and across the skies, on man-made islands and redrawn maps, and in tech and cyberspace. Through globe-spanning, exclusive interviews with dozens of political, military, and intelligence leaders, Sciutto defines our times as a return of great power conflict, "a definitive break between the post-Cold War era and an entirely new and uncertain one." With savvy, thorough, in-person reporting, he follows-up his 2019 bestseller, The Shadow War: Inside Russia's and China's Secret Operations to Defeat America, which focused on the covert tactics of a hidden conflict. The Return of Great Powers analyzes a historic and visible shift in real time. It details the realities of this new post-post-Cold War era, the increasingly aligned Russian and Chinese governments, and the flashpoint of a new, global nuclear arms race. And it poses a question: As we consider uncertain, even terrifying, outcomes, will it be possible for the West and Russia and China to prevent a new World War?
Ideal for graduate students and more seasoned qualitative researchers, this is the first guide to writing and publishing in a range of both scholarly and popular formats--from journal articles and monographs to op-eds and fictional works. Award-winning author Patricia Leavy covers everything from how to develop a unique writer's voice to how to craft a successful book proposal, understand a publishing contract, establish relationships with editors, and much more. The book is filled with effective tools for using data and theory in different genres of writing, building a profile as a scholar, and getting research findings out into the world. Instructive features throughout include "dos and don'ts," writing prompts, annotated sample letters and proposals, excerpts from published works, and end-of-chapter writing activities.
Spanning several decades, Ghassan Zeineddine's debut collection examines the diverse range and complexities of the Arab American community in Dearborn, Michigan. In ten tragicomic stories, Zeineddine explores themes of identity, generational conflicts, war trauma, migration, sexuality, queerness, home and belonging, and more. In Dearborn, a father teaches his son how to cheat the IRS and hide their cash earnings inside of frozen chickens. Tensions heighten within a close-knit group of couples when a mysterious man begins to frequent the local gym pool, dressed in Speedos printed with nostalgic images of Lebanon. And a failed stage actor attempts to drive a young Lebanese man with ambitions of becoming a Hollywood action hero to LA, but Immigration and Customs Enforcement agents have other plans. By turns wildly funny, incisive, and deeply moving, Dearborn introduces readers to an arresting new voice in contemporary fiction and invites us all to consider what it means to be part of a place and community, and how it is that we help one another survive.
It's not you, it's the food. We have entered a new age of eating. For the first time in human history, most of our calories come from an entirely novel set of substances called Ultra-Processed Food. There's a long, formal scientific definition, but it can be boiled down to this: if it's wrapped in plastic and has at least one ingredient that you wouldn't find in your kitchen, it's UPF. These products are specifically engineered to behave as addictive substances, driving excess consumption. They are now linked to the leading cause of early death globally and the number one cause of environmental destruction. Yet almost all our staple foods are ultra-processed. UPF is our food culture and for many people it is the only available and affordable food. In this book, Chris van Tulleken, father, scientist, doctor, and award-winning BBC broadcaster, marshals the latest evidence to show how governments, scientists, and doctors have allowed transnational food companies to create a pandemic of diet-related disease. The solutions don't lie in willpower, personal responsibility, or exercise. You'll find no diet plan in this book--but join Chris as he undertakes a powerful self-experiment that made headlines around the world: under the supervision of colleagues at University College London he spent a month eating a diet of 80 percent UPF, typical for many children and adults in the United States. While his body became the subject of scientific scrutiny, he spoke to the world's leading experts from academia, agriculture, and--most important--the food industry itself. But more than teaching him about the experience of the food, the diet switched off Chris's own addiction to UPF. In a fast-paced and eye-opening narrative he explores the origins, science, and economics of UPF to reveal its catastrophic impact on our bodies and the planet. And he proposes real solutions for doctors, for policy makers, and for all of us who have to eat. A book that won't only upend the way you shop and eat, Ultra-Processed People will open your eyes to the need for action on a global scale.
A storm of illiberalism, building in the United States for years, unleashed its destructive force in the Capitol insurrection of January 6, 2021. The attack on American democracy and images of mob violence led many to recoil, thinking "That's not us." But now we must think again, for Steven Hahn shows in his startling new history that illiberalism has deep roots in our past. To those who believe that the ideals announced in the Declaration of Independence set us apart as a nation, Hahn shows that Americans have long been animated by competing values, equally deep-seated, in which the illiberal will of the community overrides individual rights, and often protects itself by excluding perceived threats, whether on grounds of race, religion, gender, economic status, or ideology. Driven by popular movements and implemented through courts and legislation, illiberalism is part of the American bedrock. The United States was born a republic of loosely connected states and localities that demanded control of their domestic institutions, including slavery. As white settlement expanded west and immigration exploded in eastern cities, the democracy of the 1830s fueled expulsions of Blacks, Native Americans, Catholics, Mormons, and abolitionists. After the Civil War, southern states denied new constitutional guarantees of civil rights and enforced racial exclusions in everyday life. Illiberalism was modernized during the Progressive movement through advocates of eugenics who aimed to reduce the numbers of racial and ethnic minorities as well as the poor. The turmoil of the 1960s enabled George Wallace to tap local fears of unrest and build support outside the South, a politics adopted by Richard Nixon in 1968. Today, with illiberalism shaping elections and policy debates over guns, education, and abortion, it is urgent to understand its long history, and how that history bears on the present crisis.
A USA TODAY BESTSELLER Winner of the 2024 Neil Postman Award for Career Achievement in Public Intellectual Activity "An essential read for anyone that wants to understand how we lost control of our digital spaces and infrastructure to Silicon Valley's tech giants, and how we can start fighting to get it back." -Tim Maughan, author of INFINITE DETAIL "A brilliant barn burner of a book." -Kate Crawford, author of The Atlas of AI When the tech platforms promised a future of "connection," they were lying. They said their "walled gardens" would keep us safe, but those were prison walls. The platforms locked us into their systems and made us easy pickings, ripe for extraction. Twitter, Facebook and other Big Tech platforms hard to leave by design. They hold hostage the people we love, the communities that matter to us, the audiences and customers we rely on. The impossibility of staying connected to these people after you delete your account has nothing to do with technological limitations: it's a business strategy in service to commodifying your personal life and relationships. We can - we must - dismantle the tech platforms. In The Internet Con, Cory Doctorow explains how to seize the means of computation, by forcing Silicon Valley to do the thing it fears most: interoperate. Interoperability will tear down the walls between technologies, allowing users leave platforms, remix their media, and reconfigure their devices without corporate permission. Interoperability is the only route to the rapid and enduring annihilation of the platforms. The Internet Con is the disassembly manual we need to take back our internet.
A study of theatrical portraiture through the work of William Hogarth and David Garrick. In 1770 Georg Christoph Lichtenberg remarked, 'What a work could be written on Shakespeare, Hogarth, and Garrick! There is something similar in the genius of all three.' Two-and-a-half centuries on, Robin Simon's highly original and illuminating book takes up the challenge. William Hogarth (1697-1764) and David Garrick (1717-79) closely associated themselves with Shakespeare, embodying a relationship between plays, painting, and performance that had been understood since Antiquity and which shaped the rules for history painting drawn up by the Académie royale in Paris in the seventeenth century. This book offers a fresh examination of theatrical portraits through a close analysis of the pictures and of the texts used in performance. It also examines the central role of the theatre in British culture, while highlighting the significance of Shakespeare, Hogarth, and Garrick in the European Enlightenment and the rise of Romanticism.
#1 NEW YORK TIMES BESTSELLER * The Pulitzer Prize-winning author of Evicted reimagines the debate on poverty, making a "provocative and compelling" (NPR) argument about why it persists in America: because the rest of us benefit from it. A BEST BOOK OF THE YEAR: The New Yorker, The New York Times Book Review, NPR, Oprah Daily, Time, The Star Tribune, Vulture, The Christian Science Monitor, Chicago Public Library, Esquire, California Review of Books, She Reads, Library Journal "Urgent and accessible . . . Its moral force is a gut punch."--The New Yorker Longlisted for the Inc. Non-Obvious Book Award * Longlisted for the Andrew Carnegie Medal The United States, the richest country on earth, has more poverty than any other advanced democracy. Why? Why does this land of plenty allow one in every eight of its children to go without basic necessities, permit scores of its citizens to live and die on the streets, and authorize its corporations to pay poverty wages? In this landmark book, acclaimed sociologist Matthew Desmond draws on history, research, and original reporting to show how affluent Americans knowingly and unknowingly keep poor people poor. Those of us who are financially secure exploit the poor, driving down their wages while forcing them to overpay for housing and access to cash and credit. We prioritize the subsidization of our wealth over the alleviation of poverty, designing a welfare state that gives the most to those who need the least. And we stockpile opportunity in exclusive communities, creating zones of concentrated riches alongside those of concentrated despair. Some lives are made small so that others may grow. Elegantly written and fiercely argued, this compassionate book gives us new ways of thinking about a morally urgent problem. It also helps us imagine solutions. Desmond builds a startlingly original and ambitious case for ending poverty. He calls on us all to become poverty abolitionists, engaged in a politics of collective belonging to usher in a new age of shared prosperity and, at last, true freedom.
An unmatched guide to the religious dimensions of American politics, Jeff Sharlet journeys into corners of our national psyche where others fear to tread. The Undertow is both inquiry and meditation, an attempt to understand how, over the last decade, reaction has morphed into delusion, social division into distrust, distrust into paranoia, and hatred into fantasies--sometimes realities--of violence. Across the country, men "of God" glorify materialism, a gluttony of the soul, while citing Scripture and preparing for civil war--a firestorm they long for as an absolution and exaltation. Lies, greed, and glorification of war boom through microphones at hipster megachurches that once upon a time might have preached peace and understanding. Political rallies are as aflame with need and giddy expectation as religious revivals. At a conference for incels, lonely single men come together to rage against women. On the Far Right, everything is heightened--love into adulation, fear into vengeance, anger into white-hot rage. Here, in the undertow, our forty-fifth president, a vessel of conspiratorial fears and fantasies, continues to rise to sainthood, and the insurrectionist Ashli Babbitt, killed on January 6 at the Capitol, is beatified as a martyr of white womanhood. Framing this dangerous vision, Sharlet remembers and celebrates the courage of those who sing a different song of community, and of an America long dreamt of and yet to be fully born, dedicated to justice and freedom for all. Exploring a geography of grief and uncertainty in the midst of plague and rising fascism, The Undertow is a necessary reckoning with our precarious present that brings to light a decade of American failures as well as a vision for American possibility.
A NEW YORK TIMES TOP TEN BOOK OF THE YEAR * FINALIST FOR THE NATIONAL BOOK AWARD IN FICTION * A READ WITH JENNA BOOK CLUB PICK * NATIONAL BESTSELLER * Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America's own in this explosive, hotly-anticipated debut novel from the New York Times bestselling author of Friday Black * LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE "This book is so good. Brutal subject matter, beautiful writing. This one is from the heart." --Stephen King A Best Book of the Year: The New York Times, The Washington Post, NPR, Elle, Esquire, Chicago Tribune, Lit Hub, Kirkus Reviews "Like Orwell's 1984 and Atwood's The Handmaid's Tale, Adjei-Brenyah's book presents a dystopian vision so...illuminating that it should permanently shift our understanding of who we are and what we're capable of doing." --The Washington Post She felt their eyes, all those executioners... Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of the Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly popular, highly controversial profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators, and prisoners are competing for the ultimate prize: their freedom. In CAPE, prisoners travel as Links in Chain-Gangs, competing in death matches before packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, Thurwar considers how she might help preserve their humanity, in defiance of these so-called games. But CAPE's corporate owners will stop at nothing to protect their status quo, and the obstacles they lay in Thurwar's path have devastating consequences. Moving from the Links in the field to the protestors, to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means from a "new and necessary American voice" (Tommy Orange, The New York Times Book Review).
A Los Angeles Times Book Prize Winner and a New York Times Notable Book "You're in for a treat. The Reformatory is one of those books you can't put down. Tananarive Due hit it out of the park." --Stephen King A gripping, page-turning novel set in Jim Crow Florida that follows Robert Stephens Jr. as he's sent to a segregated reform school that is a chamber of terrors where he sees the horrors of racism and injustice, for the living, and the dead. Gracetown, Florida June 1950 Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie's journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory. Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it's too late. The Reformatory is a haunting work of historical fiction written as only American Book Award-winning author Tananarive Due could, by piecing together the life of the relative her family never spoke of and bringing his tragedy and those of so many others at the infamous Dozier School for Boys to the light in this riveting novel.
Short-listed as a finalist for the 2024 New York Public Library's Bernstein Book Award for Excellence in Journalism How did a lifesaving medical breakthrough become a for-profit enterprise that threatens many of the people it's meant to save? Six decades ago, visionary doctors achieved the impossible: the humble kidney, acknowledged since ancient times to be as essential to life as the heart, became the first human organ to be successfully replaced with a machine. Yet huge dialysis corporations, ambitious doctor-entrepreneurs and Beltway lobbyists soon turned this medical miracle into an early experiment in for-profit medicine--and one of the nation's worst healthcare catastrophes. With powerful insight and on-the-ground reporting, New York Times best-selling author Tom Mueller introduces an unforgettable cast of characters. Heroic patients, including a Hollywood stuntman and body double, risk their lives to blow the whistle on how they've been mistreated. An unpaid activist living in a south Georgia trailer park fights to save patients from involuntary discharge from their lifesaving care. Industry insiders put their careers on the line to speak out about the endemic wrongs and pervasive inequality they've witnessed--and about dialysis executives who dress as musketeers and Star Wars characters to exhort their employees to more aggressive profit-seeking. Mueller evokes the scientific ingenuity and optimism of the 1950s and 1960s, when the burgeoning field of organ transplant and early dialysis machines offered long-awaited hope for lifesaving care. That is, until a New York salesman had himself dialyzed on the floor of the House, and Congress made renal disease the only "Medicare for All" condition--opening the financial floodgates for Big Dialysis. Of the thousands caught in a web of corporate greed, a disproportionate number are Black and Latino, highlighting the stark racial divides already endemic to American medicine. How to Make a Killing reveals dialysis as a microcosm of American medicine and poses a vital challenge: find a way to fix dialysis, and we'll have a fighting chance of fixing our country's dysfunctional healthcare system as a whole, restoring patients, not profits, as its true purpose.
GMA BUZZ PICK * INTERNATIONAL BEST SELLER AND AWARD WINNER * A haunting, virtuosic debut novel about two young men who fall in love during World War I * "Will live in your mind long after you've closed the final pages." --Maggie O'Farrell, best-selling author of Hamnet and The Marriage Portrait A Best Book of the Year: The New Yorker, The Washington Post, NPR "In Memoriam is the story of a great tragedy, but it is also a moving portrait of young love, and there is often a lightness to the book."--The New York Times It's 1914, and World War I is ceaselessly churning through thousands of young men on both sides of the fight. The violence of the front feels far away to Henry Gaunt, Sidney Ellwood and the rest of their classmates, safely ensconced in their idyllic boarding school in the English countryside. News of the heroic deaths of their friends only makes the war more exciting. Gaunt, half German, is busy fighting his own private battle--an all-consuming infatuation with his best friend, the glamorous, charming Ellwood--without a clue that Ellwood is pining for him in return. When Gaunt's family asks him to enlist to forestall the anti-German sentiment they face, Gaunt does so immediately, relieved to escape his overwhelming feelings for Ellwood. To Gaunt's horror, Ellwood rushes to join him at the front, and the rest of their classmates soon follow. Now death surrounds them in all its grim reality, often inches away, and no one knows who will be next. An epic tale of both the devastating tragedies of war and the forbidden romance that blooms in its grip, In Memoriam is a breathtaking debut.
The never-before-told story of the extraordinary women behind a trailblazing British magazine. During the 1890s, British women for the first time began to leave their family homes to seek work, accommodation, and financial and sexual freedom. Decadent Women is an account of some of these women who wrote for the innovative art and literary journal The Yellow Book. For the first time, and drawing on original research, Jad Adams describes the lives and work of these vibrant and passionate women, from well-connected and fashionable aristocrats to the desperately poor. He narrates the challenges they faced in a literary marketplace, and within a society that overwhelmingly favored men, showing how they were pioneers of a new style, living lives of lurid adventure and romance, as well as experiencing poverty, squalor, disease, and unwanted pregnancy.
A MOST ANTICIPATED BOOK * The forgotten story of a pioneering group of five Black ballerinas and their fifty-year sisterhood, a legacy erased from history--until now. "This is the kind of history I wish I learned as a child dreaming of the stage!" --Misty Copeland, author of Black Ballerinas: My Journey to Our Legacy "Utterly absorbing, flawlessly-researched...Vibrant, propulsive, and inspiring, The Swans of Harlem is a richly drawn portrait of five courageous women whose contributions have been silenced for too long!" --Tia Williams, author of A Love Song for Ricki Wilde At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company--the Dance Theatre of Harlem, a troupe of women and men who became each other's chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet's most iconic works with other trailblazing ballerinas, including the young women who became her closest friends--founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells. These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again--to share their story with the world. Captivating, rich in vivid detail and character, and steeped in the glamour and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of both their historic careers and the sustaining, grounding power of female friendship, and a window into the robust history of Black ballet, hidden for too long.
Lincoln's spiritual journey from spiritual skeptic to America's first evangelical Christian President believer--a conversion that changed both the Civil War and the practice of religion itself. Abraham Lincoln, unlike most of his political brethren, kept organized Christianity at arm's length. He never joined a church and only sometimes attended Sunday services with his wife. But as he came to appreciate the growing political and military importance of the Christian community, and when death touched the Lincoln household in an awful, intimate way, the erstwhile skeptic effectively evolved into a believer and harnessed the power of evangelical Protestantism to rally the nation to arms. The war, he told Americans, was divine retribution for the sin of slavery. This is the story of that transformation and the ways in which religion helped millions of Northerners interpret the carnage and political upheaval of the 1850s and 1860s. Rather than focus on battles and personalities, Joshua Zeitz probes ways in which war and spiritual convictions became intertwined. Characters include the famous--Harriet Beecher Stowe, Frederick Douglass, Henry Ward Beecher--as well as ordinary soldiers and their families whose evolving understanding of mortality, heaven, and mission motivated them to fight. Long underestimated in accounts of the Civil War, religion--specifically evangelical Christianity--played an instrumental role on the battlefield and home front, and in the corridors of government. More than any president before him--or any president after, until George W. Bush--Lincoln harnessed popular religious enthusiasm to build broad-based support for a political party and a cause. A master politician who was sincere about his religion, Lincoln held beliefs that were unconventional--and widely misunderstood then, as now. After his death and the end of an unforgiving war, Americans needed to memorialize Lincoln as a Christian martyr. The truth was, of course, considerably more complicated, as this original book explores.
WINNER OF THE KIRKUS PRIZE FOR NONFICTION Named One of The New York Times' 100 Notable Books of 2023 One of Time's 100 Must-Read Books of 2023 | A Top Ten Book of 2023 at Chicago Public Library
A new book by the Pulitzer Prize-winning writer about the twenty-first-century Latino experience and identity. In Our Migrant Souls, the Pulitzer Prize-winning writer Héctor Tobar delivers a definitive and personal exploration of what it means to be Latino in the United States right now. "Latino" is the most open-ended and loosely defined of the major race categories in the United States, and also one of the most rapidly growing. Composed as a direct address to the young people who identify or have been classified as "Latino," Our Migrant Souls is the first account of the historical and social forces that define Latino identity. Taking on the impacts of colonialism, public policy, immigration, media, and pop culture, Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and gives voice to the anger and the hopes of young Latino people who have seen Latinidad transformed into hateful tropes and who have faced insult and division--a story as old as this country itself. Tobar translates his experience as not only a journalist and novelist but also a mentor, a leader, and an educator. He interweaves his own story, and that of his parents' migration to the United States from Guatemala, into his account of his journey across the country to uncover something expansive, inspiring, true, and alive about the meaning of "Latino" in the twenty-first century.
Finalist for the 2023 Center for Fiction First Novel Prize New York Times Book Review Notable Book of 2023 New York Times 2023 Critics' Pick New Yorker Best Book of 2023 (Essential Read) NPR Best Book of 2023 TIME Must-Read Book of 2023 Bookshop.org Best Book of 2023 Chicago Public Library Favorite Book of 2023 Ms. Magazine Best Book of 2023 It's as if her life only began once Moon appeared in it. The desultory copywriting work, the boyfriend, and the want of anything not-Moon quickly fall away when she beholds the idol in concert, where Moon dances as if his movements are creating their own gravitational field; on livestreams, as fans from around the world comment in dozens of languages; even on skincare products endorsed by the wildly popular Korean boyband, of which Moon is the youngest, most luminous member. Seized by ineffable desire, our unnamed narrator begins writing Y/N fanfic--in which you, the reader, insert [Your/Name] and play out an intimate relationship with the unattainable star. Surreal, hilarious, and shrewdly poignant, Y/N is a provocative literary debut about the universal longing for transcendence and the tragic struggle to assert one's singular story amidst the amnesiac effects of globalization. Esther Yi's prose unsettles the boundary between high and mass art, exploding our expectations of a novel about "identity" and offering in its place a sui generis picture of the loneliness that afflicts modern life.
Finalist for the PEN/Faulkner Award, the Barnes & Noble Discover Prize, and the James Tait Black Prize for Fiction. One of the Washington Post's 50 Notable Works of Fiction in 2023. One of The New York Times' 10 Best California Books of 2023. "Open Throat is what fiction should be." --The New York Times Book Review A lonely, lovable, queer mountain lion narrates this star-making fever dream of a novel. A queer and dangerously hungry mountain lion lives in the drought-devastated land under the Hollywood sign. Lonely and fascinated by humanity's foibles, the lion spends their days protecting a nearby homeless encampment, observing hikers complain about their trauma, and, in quiet moments, grappling with the complexities of their gender identity, memories of a vicious father, and the indignities of sentience. When a man-made fire engulfs the encampment, the lion is forced from the hills down into the city the hikers call "ellay." As the lion confronts a carousel of temptations and threats, they take us on a tour that spans the cruel inequalities of Los Angeles and the toll of climate grief. But even when salvation finally seems within reach, they are forced to face down the ultimate question: Do they want to eat a person, or become one? Henry Hoke's Open Throat is a marvel of storytelling, a universal journey through a wondrous and menacing world recounted by a lovable mountain lion. Feral and vulnerable, profound and playful, Open Throat is a star-making novel that brings the mythic to life.
National Book Foundation 5 Under 35 Honoree Longlisted for the Women's Prize for Fiction Named a Best Book of the Year by The New Yorker, Vulture, and BBC An enthralling and original first novel about exile, diaspora, and the impossibility of Black refuge in America and beyond. In the morning, I received a phone call and was told to board a flight. The arrangements had been made on my behalf. I packed no clothes, because my clothes had been packed for me. A car arrived to pick me up. A man returns home to sub-Saharan Africa after twenty-six years in America. When he arrives, he finds that he doesn't recognize the country or anyone in it. Thankfully, someone recognizes him, a man who calls him brother--setting him on a quest to find his real brother, who is dying. In Hangman, Maya Binyam tells the story of that search, and of the phantoms, guides, tricksters, bureaucrats, debtors, taxi drivers, relatives, and riddles that will lead to the truth. This is an uncommonly assured debut: an existential journey; a tragic farce; a slapstick tragedy; and a strange, and strangely honest, story of one man's stubborn quest to find refuge--in this world and in the world that lies beyond it.
What does it mean to be a "diva"? A shifting, increasingly loaded term, it has been used to both deride and celebrate charismatic and unapologetically fierce performers like Aretha Franklin, Divine, and the women of Labelle. In this brilliant, powerful blend of incisive criticism and electric memoir, Deborah Paredez--scholar, cultural critic, and lifelong diva devotee--unravels our enduring fascination with these icons and explores how divas have challenged American ideas about feminism, performance, and freedom. American Diva journeys into Tina Turner's scintillating performances, Celia Cruz's command of the male-dominated salsa world, the transcendent revival of Jomama Jones after a period of exile, and the unparalleled excellence of Venus and Serena Williams. Recounting how she and her mother endlessly watched Rita Moreno's powerhouse portrayal of Anita in West Side Story and how she learned much about being bigger than life from her fabulous Tía Lucia, Paredez chronicles the celebrated and skilled performers who not only shaped her life but boldly expressed the aspiration for freedom among brown, Black, and gay communities. Paredez also traces the evolution of the diva through the decades, dismayed at the mid-aughts' commodification and juvenilizing of its meaning but finding its lasting beauty and power. Filled with sharp insights and great heart, American Diva is a spirited tribute to the power of performance and the joys of fandom.
In this instant New York Times bestseller, renowned economist Thomas Sowell demolishes the myths that underpin the social justice movement The quest for social justice is a powerful crusade of our time, with an appeal to many different people, for many different reasons. But those who use the same words do not always present the same meanings. Clarifying those meanings is the first step toward finding out what we agree on and disagree on. From there, it is largely a question of what the facts are. Social Justice Fallacies reveals how many things that are thought to be true simply cannot stand up to documented facts, which are often the opposite of what is widely believed. However attractive the social justice vision, the crucial question is whether the social justice agenda will get us to the fulfillment of that vision. History shows that the social justice agenda has often led in the opposite direction, sometimes with catastrophic consequences. More things are involved besides simply mistakes. All human beings are fallible, and social justice advocates may not necessarily make any more mistakes than others. But crusaders with an utter certainty about their mission are often undeterred by obstacles, evidence or even fatal dangers. That is where much of the Western world is today. The question is whether we will continue on heedlessly, past the point of no return.
A collection of insightful and personal essays on the role of food in our lives In an age of mass factory farming, processed and pre-packaged meals, and unprecedented food waste, how does one eat ethically? Featuring a highly diverse ensemble of award-winning writers, chefs, farmers, activists, educators, and journalists, Good Eats invites readers to think about what it means to eat according to our values. These essays are not lectures about what you should eat, nor an advertisement for the latest diet. ?Instead, the contributors tell the stories of real people?real bellies, real bodies?including the writers themselves, who seek to understand the experiences, families, cultures, histories, and systems that have shaped their eating and their ethics. From gardening as an alternative to factory farming, to the indigenous cultures surrounding salmon and the corporate cultures surrounding chocolate, the topics featured in this collection expand our understanding of what ethical eating can be. Poets like Ross Gay and Aimee Nezhukumatathil muse lyrically on the role of sustenance in their lives. Other contributors describe efforts to change how our food is sourced. In her compelling piece, farmer and food sovereignty activist Leah Penniman celebrates both ancestral seeds and wisdom when discussing her Afro-Indigenous farming and forestry practices. Across the country in the high desert, Michael P. Branch details his frustrating-yet-humorous attempts to grow a garden with his young daughters. Professional chef Thérèse Nelson shows how hot sauce represents joy, expression, and magic for many Black people. Each contributor tugs at the imagination with insightful discussions of the role food plays in our lives. Good Eats will inspire you to find more mindfulness and joy in your diet. These essays turn mundane meals into remarkable symbols of how we live, encouraging each of us to find food that is both sustaining and sustainable. Contributors include Ross Gay, DeLyssa Begay, Lynn Z. Bloom, Michael P. Branch, Nikky Finney, Shirley Geok-lin Lim, Barbara J. King, Aimee Nezhukumatathil, Leah Penniman, Adrienne Su, Ira Sukrungruang, Tina Vasquez, Nicole Walker, Thérèse Nelson, Lisa Knopp, Jane Brox, Maureen Stanton, Taté Walker, and many others.
Ordinary clothes have extraordinary stories. In contrast to academic and curatorial focus on the spectacular and the luxurious, Everyday Fashion makes the case that your grandmother's wardrobe is an archive as interesting and important as any museum store. From the moment we wake and get dressed in the morning until we get undressed again in the evening, fashion is a central medium through which we experience the world and negotiate our place within it. Because of this, the ways that supposedly 'ordinary' and 'everyday' fashion objects have been designed, manufactured, worn, cared for, and remembered matters deeply to our historical understanding. Beginning at 1550 - the start of an era during which the word 'fashion' came to mean stylistic change rather than the act of making - each chapter explores the definition of everyday fashion and how this has changed over time, demonstrating innovative methodologies for researching the everyday. The variety and significance of everyday fashion cultures are further highlighted by a series of illustrated object biographies written by Britain's leading fashion curators, showcasing the rich diversity of everyday fashion in British museum collections. Collectively, this volume scratches below the glossy surface of fashion to expose the mechanics of fashion business, the hidden world of the workroom and the diversity and role of makers; and the experiences of consuming, wearing, and caring for ordinary clothes in the United Kingdom from the 16th century to the present day. In doing so it challenges readers to rethink how fashion systems evolve and to reassess the boundaries between fashion and dress scholarship.
Written on the threshold of Thus Spoke Zarathustra during a high point of social, intellectual and psychic vibrancy, The Joyful Science (frequently translated as The Gay Science) is one of Nietzsche's thematically tighter books. Here he debuts and practices the art of amor fati, love of fate, to explore what is "species preserving" in relation to happiness (Book One); inspiration and the role of art as they keep us mentally fit for inhabiting a world dominated by science (Book Two); the challenges of living authentically and overcoming after the death of God (Book Three); and the crescendo of life affirmation in which Nietzsche revealed the doctrine of eternal recurrence and previewed the figure of Zarathustra (Book Four). Invigorated and motivated by Thus Spoke Zarathustra and Beyond Good and Evil, Nietzsche in 1887 added a new preface, an appendix of poems, and Book Five, where he deepened the critique of science and displayed a more genealogical approach. This volume provides the first English translation of the Idylls from Messina and, more importantly, it includes the first English translation of the notebooks of 1881-1882, in which Nietzsche first formulated the eternal recurrence. Structurally and stylistically, The Joyful Science remains Nietzsche's most effective book of aphorisms, immediately after which he took on the voice and alter ego of Zarathustra in order to push beyond the boundaries of even the most liberating prose.
A NEW YORK TIMES EDITOR'S CHOICE · A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK · REVIEWED ON THE FRONT COVER From GMA BOOK CLUB PICK and WOMEN'S PRIZE FINALIST Angie Cruz, author of Dominicana, an electrifying new novel about a woman who has lost everything but the chance to finally tell her story "Will have you LAUGHING line after line...Cruz AIMS FOR THE HEART, and fires." --Los Angeles Times "An endearing portrait of a FIERCE, FUNNY woman." --The Washington Post Cara Romero thought she would work at the factory of little lamps for the rest of her life. But when, in her mid-50s, she loses her job in the Great Recession, she is forced back into the job market for the first time in decades. Set up with a job counselor, Cara instead begins to narrate the story of her life. Over the course of twelve sessions, Cara recounts her tempestuous love affairs, her alternately biting and loving relationships with her neighbor Lulu and her sister Angela, her struggles with debt, gentrification and loss, and, eventually, what really happened between her and her estranged son, Fernando. As Cara confronts her darkest secrets and regrets, we see a woman buffeted by life but still full of fight. Structurally inventive and emotionally kaleidoscopic, How Not to Drown in a Glass of Water is Angie Cruz's most ambitious and moving novel yet, and Cara is a heroine for the ages.
The digital era is beset by distraction, and it feels like things are only getting worse. At times like these, the distant past beckons as a golden age of attention. We fantasize about escaping our screens. We dream of recapturing the quiet of a world with less noise. We imagine retreating into solitude and singlemindedness, almost like latter-day monks. But although we think of early monks as master concentrators, a life of mindfulness did not, in fact, come to them easily. As historian Jamie Kreiner demonstrates in The Wandering Mind, their attempts to stretch the mind out to God-to continuously contemplate the divine order and its ethical requirements-were all-consuming, and their battles against distraction were never-ending. Delving into the experiences of early Christian monks living in the Middle East, around the Mediterranean, and throughout Europe from 300 to 900 CE, Kreiner shows that these men and women were obsessed with distraction in ways that seem remarkably modern. At the same time, she suggests that our own obsession is remarkably medieval. Ancient Greek and Roman intellectuals had sometimes complained about distraction, but it was early Christian monks who waged an all-out war against it. The stakes could not have been higher: they saw distraction as a matter of life and death. Even though the world today is vastly different from the world of the early Middle Ages, we can still learn something about our own distractedness by looking closely at monks' strenuous efforts to concentrate. Drawing on a trove of sources that the monks left behind, Kreiner reconstructs the techniques they devised in their lifelong quest to master their minds-from regimented work schedules and elaborate metacognitive exercises to physical regimens for hygiene, sleep, sex, and diet. She captures the fleeting moments of pure attentiveness that some monks managed to grasp, and the many times when monks struggled and failed and went back to the drawing board. Blending history and psychology, The Wandering Mind is a witty, illuminating account of human fallibility and ingenuity that bridges a distant era and our own.
This new book brings together leading and innovative thinkers in the field of teaching and sport coaching pedagogy to provide a range of perspectives on teaching games and sport for understanding. Teaching Games and Sport for Understanding engages undergraduate and postgraduate students in physical education and sport coaching, practicing teachers, practicing sport coaches, teacher educators and coach developers. The contributions, taken together or individually, provide insight, learning and opportunities to foster game-based teaching and coaching ideas, and provide conceptual and methodological clarity where a sense of pedagogical confusion may exist. Each chapter raises issues that can resonate with the teacher and sport practitioner and researcher. In this way, the chapters can assist one to make sense of their own teaching or sport coaching, provide deeper insight into personal conceptualisations of the concept of game-based teaching and sport coaching or stimulate reflections on their own teaching or coaching or the contexts they are involved in. Teaching games and sport for understanding in various guises and pedagogical models has been proposed as leading practice for session design and instructional delivery of sport teaching in PE and sport coaching since the late 1960s. At its core, it is a paradigm shift from what can be described as a behaviourist model of highly directive instruction for player replication of teacher/coach explanation and demonstration to instructional models that broadly are aimed at the development of players self-autonomy as self-regulated learners -'thinking players'. This innovative new volume both summarises current thinking, debates and practical considerations about the broad spectrum of what teaching games for understanding means as well as providing direction for further practical, pragmatic and research consideration of the concept and its precepts and, as such, is key reading for both undergraduate and postgraduate students of physical education and sport coaching as well as practicing teachers and sport coaches.
In From Homemakers to Breadwinners to Community Leaders, Norma Fuentes-Mayorga compares the immigration and integration experiences of Dominican and Mexican women in New York City, a traditional destination for Dominicans but a relatively new one for Mexicans. Her book documents the significance of women-led migration within an increasingly racialized context and underscores the contributions women make to their communities of origin and of settlement. Fuentes-Mayorga's research is timely, especially against the backdrop of policy debates about the future of family reunification laws and the unprecedented immigration of women and minors from Latin America, many of whom seek human rights protection or to reunite with families in the US. From Homemakers to Breadwinners to Community Leaders provides a compelling look at the suffering of migrant mothers and the mourning of family separation, but also at the agency and contributions that women make with their imported human capital and remittances to the receiving and sending community. Ultimately the book contributes further understanding to the heterogeneity of Latin American immigration and highlights the social mobility of Afro-Caribbean and indigenous migrant women in New York.
There no longer seems any point to criticizing the internet. We indulge in the latest doom-mongering about the evils of social media-on social media. We scroll through routine complaints about the deterioration of our attention spans. We resign ourselves to hating the internet even as we spend much of our waking lives with it. Yet our unthinking surrender to its effects-to the ways it recasts our aims and desires-is itself digital technology's most powerful achievement. A Web of Our Own Making examines how online practices are reshaping our lives outside our notice. Barba-Kay argues that digital technology is a 'natural technology'-a technology so intuitive as to conceal the extent to which it transforms our attention. He shows how and why this technology is reconfiguring knowledge, culture, politics, aesthetics, and theology. The digital revolution is primarily taking place not in Silicon Valley but within each of us.
Gender violence has been at the forefront of women's human rights struggles for decades, shaping political movements and NGO and government programs related to women's empowerment, community development, and public health. Drawing on over twenty years of research and activism in rural Ecuador, Karin Friederic provides a remarkably intimate view of what these rights-based programs actually achieve over the long term. The Prism of Human Rights brings us into the lives of women, men, and children who find themselves entangled in intimate partner violence, structural violence, political economic change, and a global cultural project in which "rights" are associated with modernity, development, and democratic states. She details the multiple forms of violence that rural women experience; shows the diverse ways they make sense of, endure, and combat this violence; and helps us understand how people are grappling with new ideas of gender, rights, and even of violence itself. Ultimately, Friederic demonstrates that rights-based interventions provide important openings for women seeking a life free of violence, but they also unwittingly expose "liberated" women to more extreme dynamics of structural violence. Thus, these interventions often reduce women's room to maneuver and encourage communities to hide violence in order to appear "modern" and "developed." This analysis of human rights in practice is essential for anyone seeking to promote justice in a culturally responsible manner, and for anyone who hopes to understand how the globalization of rights, legal institutions, and moral visions is transforming distant locales and often perpetuating violence in the process.
Twenty-first century fashion practice has become increasingly borderless and diverse in the digital era, calling into question the very boundaries that define fashion in the Western cultural context. Borderless Fashion Practice: Contemporary Fashion in the Metamodern Age principally engages the work of four fashion designers -- Virgil Abloh, Aitor Throup, Iris Van Herpen, and Eckhaus Latta -- whose work intersects with other creative disciplines such as art, technology, science, architecture, and graphic design. They do their work in what Vanessa Gerrie calls the metamodern age -- the time and place where the polarization between the modern and the postmodern collapses. Used as a framework to understand the current Western cultural zeitgeist, Gerrie's exploration of the work of contemporary practitioners and theorists finds blurred borders and seeks to blur them further, to the point of erasure.
Many female athletes struggle with body confidence and change their nutrition in unhealthy ways, only to the detriment of both their performance and their health. SPRING Forward: Balanced Eating, Exercise, and Body Image in Sport for Female Athletes provides performance nutrition and body image flexibility guidance for adolescent and adult female athletes. This book details the problems, the consequences, and provides extensive education on healthier, higher-quality performance. Nutritional details include specific nutritional needs for female athletes, fad diets, and nutritional needs related to hormones and nutrition for peak performance. Body image education includes societal pressure, unrealistic ideals, handling mental aspects of body image, psychological obstacles, and dealing with more severe problems. Healthy performance is addressed along with sleep, camaraderie, and how to manage the ups and downs of being a female athlete. Several instructional manuals that can be easily used for teams at any level, from secondary school to elite athletes, are included in the book. The program has been used in secondary athletes that showed a significant improvement in body image flexibility and gave the program rave reviews, stating that not only were they stronger athletes, but their teams also felt the education was a bonding experience.
Some comics fans view the industry's Golden Age (1930s-1950s) as a challenging time when it comes to representations of race, an era when the few Black characters appeared as brutal savages, devious witch doctors, or unintelligible minstrels. Yet the true portrait is more complex and reveals that even as caricatures predominated, some Golden Age comics creators offered more progressive and nuanced depictions of Black people. Desegregating Comics assembles a team of leading scholars to explore how debates about the representation of Blackness shaped both the production and reception of Golden Age comics. Some essays showcase rare titles like Negro Romance and consider the formal innovations introduced by Black comics creators like Matt Baker and Alvin Hollingsworth, while others examine the treatment of race in the work of such canonical cartoonists as George Herriman and Will Eisner. The collection also investigates how Black fans read and loved comics, but implored publishers to stop including hurtful stereotypes. As this book shows, Golden Age comics artists, writers, editors, distributors, and readers engaged in heated negotiations over how Blackness should be portrayed, and the outcomes of those debates continue to shape popular culture today.
Case studies throughout the book, allowing instructors and students to take a hands-on approach, encouraging active participation. The book includes at least 3 dozen cases, and instructors will also have access to the entire Notre Dame caselist of over 250 cases at a heavily discounted rate. Engaging writing practical directions for students, showing direct applicability in their work lives Strategic approach demonstrates to students the manager's perspective, showing them the judgement crucial to effective organizational communication Full companion website with PowerPoint slides, an instructor manual with teaching notes, and test bank. This edition has more emphasis on topics around technology, disinformation, corporate culture and ethics.
Essays on evolvability from the perspectives of quantitative and population genetics, evolutionary developmental biology, systems biology, macroevolution, and the philosophy of science. Evolvability - the capability of organisms to evolve - wasn't recognized as a fundamental concept in evolutionary theory until 1990. Though there is still some debate as to whether it represents a truly new concept, the essays in this volume emphasize its value in enabling new research programs and facilitating communication among the major disciplines in evolutionary biology. The contributors, many of whom were instrumental in the development of the concept of evolvability, synthesize what we have learned about it over the past thirty years. They focus on the historical and philosophical contexts that influenced the emergence of the concept and suggest ways to develop a common language and theory to drive further evolvability research. The essays, drawn from a workshop on evolvability hosted in 2019-2020 by the Center of Advanced Study at the Norwegian Academy of Science and Letters, in Oslo, provide scientific and historical background on evolvability. The contributors represent different disciplines of evolutionary biology, including quantitative and population genetics, evolutionary developmental biology, systems biology and macroevolution, as well as the philosophy of science. This plurality of approaches allows researchers in disciplines as diverse as developmental biology, molecular biology, and systems biology to communicate with those working in mainstream evolutionary biology. The contributors also discuss key questions at the forefront of research on evolvability. Contributors- J. David Aponte, W. Scott Armbruster, Geir H. Bolstad, Salome Bourg, Ingo Brigandt, Anne Calof, James M. Cheverud, Josselin Clo, Frietson Galis, Mark Grabowski, Rebecca Green, Benedikt Hallgrimsson, Thomas F. Hansen, Agnes Holstad, David Houle, David Jablonski, Arthur Lander, Arnaud LeRouzic, Alan C. Love, Ralph Marcucio, Michael B. Morrissey, Laura Nuno de la Rosa, Oystein H. Opedal, Mihaela Pavlicev, Christophe Pelabon, Jane M. Reid, Heather Richbourg, Jacqueline L. Sztepanacz, Masahito Tsuboi, Cristina Villegas, Marta Vidal-Garcia, Kjetil L. Voje, Andreas Wagner, Gunter P. Wagner, Nathan M. Young
This updated fourth edition presents a wide-scale, interdisciplinary guide to social media communication. Examining platforms like Facebook, Instagram, Snapchat, TikTok, Twitter and YouTube, the book analyzes social media's use in journalism, public relations, advertising and marketing. Lipschultz focuses on key concepts, best practices, data analyses, law and ethics - all promoting the critical thinking that is needed to use new, evolving and maturing networking tools effectively within social and mobile media spaces. Featuring historical markers and contemporary case studies, essays from some of the industry's leading social media innovators and a comprehensive glossary, this practical, multipurpose textbook gives readers the resources they will need to both evaluate and utilize current and future forms of social media communication. Updates to the fourth edition include expanded discussion of disinformation, the impact of artificial intelligence (AI), natural language chatbots, virtual and augmented reality technologies and the COVID-19 infodemic. Social Media Communication is the perfect social media primer for students and professionals and, with a dedicated online teaching guide, ideal for instructors, too.
Offering an overview of the sport industry and coverage of the foundational knowledge and skills required of the today's sport manager, Principles and Practice of Sport Management is devoted to educating students on the various industry segments where they can focus their careers. After detailing the history and various principles - from management and marketing to finance, legal and ethical - the book delves into key sports management segments, discussing the skills needed in those sectors, the types of positions available, and the current issues facing those sectors. . Key Features:- New chapter on eSports introduces students to this rapidly developing billion-dollar industry which draws in gamers, spectators, teams, leagues, and sponsors increasingly in need of sport managers' expertise- Discussion on the impact of the COVID-19 pandemic on the sports industry - An expanded look at emerging and innovative forms of sports media in the Sports Communications Chapter.- Revamped Ethics chapter that addresses newly emerging issues and how sports managers should address them. - Interactive case studies and chapter questions offer opportunities to apply concepts and principles. - Digital Student Workbook! New digital workbook (in the Navigate Advantage) offers over 570 activities, many of which are automatically graded for each chapter.- Navigate Advantage Access (included with the printed text) unlocks a comprehensive and interactive eBook, a new digital workbook with 570+ practice activities for each chapter, assessments, a full suite of instructor resources, and learning analytics reporting tools.- Unparalleled instructor resources, including test banks, presentation slides, answer keys to case study questions, and more help facilitate class preparation.
Four Ways of Hearing Video Game Music offers a novel account of the ways in which video games invite us to hear and listen to their music. By taking a phenomenological approach to characterize music in video games, author Michiel Kamp asks what it is we hear in the music when we play a game. Drawing on past phenomenological approaches to music as well as studies of music listening in a variety of disciplines such as aesthetics and ecological psychology, Kamp explains four main ways of hearing the same piece of music--through background, aesthetic, ludic, and semiotic hearing. As a background, music is not attended to at all, but can still be described in terms of moods, affordances, or equipment. Aesthetic hearing is a reflective attitude that invites hermeneutic interpretation; ludic hearing on the other hand invites "playing along" to the music, either through embodied movement, or in response to the music's cinematic or theatrical connotations. Finally, in semiotic hearing, Kamp argues that we hear music as transparent symbols or signals that provide information about the state of a game. The book investigates these four categories through detailed case studies of video games from a variety of eras and genres accompanied by gameplay recordings and images on a companion website.
For millennia humans have used visible marks to communicate information. Modern examples of conventional graphical symbols include written language, and non-linguistic symbol systems such as mathematical symbology or traffic signs. The latter kinds of symbols convey information without reference to language. This book presents the first systematic study of graphical symbol systems, including a history of graphical symbols from the Paleolithic onwards, a taxonomy of non-linguistic systems - systems that are not tied to spoken language - and a survey of more than 25 such systems. One important feature of many non-linguistic systems is that, as in written language, symbols may be combined into complex "messages" if the information the system represents is itself complex. To illustrate, the author presents an in-depth comparison of two systems that had very similar functions, but very different structure: European heraldry and Japanese kamon. Writing first appeared in Mesopotamia about 5,000 years ago and is believed to have evolved from a previous non-linguistic accounting system. The exact mechanism is unknown, but crucial was the discovery that symbols can represent the sounds of words, not just the meanings. The book presents a novel neurologically-inspired hypothesis that writing evolved in an institutional context in which symbols were "dictated", thus driving an association between symbol and sound, and provides a computational simulation to support this hypothesis. The author further discusses some common fallacies about writing and non-linguistic systems, and how these relate to widely cited claims about statistical "evidence" for one or another system being writing. The book ends with some thoughts about the future of graphical symbol systems. The intended audience includes students, researchers, lecturers, professionals and scientists from fields like Natural Language Processing, Machine Learning, Archaeology and Semiotics, as well as general readers interested in language and/or writing systems and symbol systems.
Named one of the Ten Best Books of 2023 by Time (#1), Vulture, and Publishers Weekly, and one of the Best Books of 2023 by The New York Times, the New Yorker, NPR, the Los Angeles Times, Vanity Fair, Esquire, the Chicago Tribune, Kirkus, Lit Hub, and Amazon. National Bestseller. Winner of the 2023 Brooklyn Library Prize, a finalist for the Dylan Thomas Prize and the Lambda Literary Award, and longlisted for the PEN/Faulkner Award. A New York Times Book Review Editors' Choice. "A major novel, and a notably audacious one." --Dwight Garner, The New York Times From one of our fiercest stylists, a roaring epic chronicling the life, times, and secrets of a notorious artist. When X--an iconoclastic artist, writer, and polarizing shape-shifter--falls dead in her office, her widow, CM, wild with grief and refusing everyone's good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM knows where X was born, and in her quest to find out, she opens a Pandora's box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, and which finally, in the present day, is being forced into an uneasy reunification. A masterfully constructed literary adventure complete with original images assembled by X's widow, Biography of X follows CM as she traces X's peripatetic trajectory over decades, from Europe to the ruins of America's divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. At last, when she finally understands the scope of X's defining artistic project, CM realizes her wife's deceptions were far crueler than she imagined. Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.
This volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: "Posthumanist Subjects" examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; "Slow Violence and Environmental Threats" understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in "Posthumanist Others" shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold that oppressive systems have over the ways in which societies are constructed and governed.
Fungi are everywhere. Most are harmless; some are helpful. A few are killers. Collectively, infectious fungi are the most devastating agents of disease on earth, and a fungus that can persist in the environment without its host is here to stay. In Blight, Emily Monosson documents how trade, travel, and a changing climate are making us all more vulnerable to invasion. Populations of bats, frogs, and salamanders face extinction. In the Northwest, America's beloved national parks are covered with the spindly corpses of whitebark pines. Food crops are under siege, threatening our coffee, bananas, and wheat--and, more broadly, our global food security. Candida auris, drug-resistant and resilient, infects hospital patients and those with weakened immune systems. Coccidioides, which lives in drier dusty regions, may cause infection in apparently healthy people. The horrors go on. Yet prevention is not impossible. Tracing the history of fungal spread and the most recent discoveries in the field, Monosson meets scientists who are working tirelessly to protect species under threat, and whose innovative approaches to fungal invasion have the potential to save human lives. Delving into case studies at once fascinating, sobering, and hopeful, Blight serves as a wake-up call, a reminder of the delicate interconnectedness of the natural world, and a lesson in seeing life on our planet with renewed humility and awe.
An innovative study of the ways performance influenced Mozart's compositional style. We know Mozart as one of history's greatest composers. But his contemporaries revered him as a multi-instrumentalist, a dazzling improviser, and the foremost keyboard virtuoso of his time. When he composed, it was often with a single aim in mind: to set the stage, quite literally, for compelling and captivating performances. He wrote piano concertos not with an eye to posterity but to give himself a repertoire with which to flaunt his keyboard wizardry before an awestruck public. The same was true of his sonatas, string quartets, symphonies, and operas, all of which were painstakingly crafted to produce specific effects on those who played or heard them, amusing, stirring, and ravishing colleagues and consumers alike. Mozart the Performer brings to life this elusive side of Mozart's musicianship. Dorian Bandy traces the influence of showmanship on Mozart's style, showing through detailed analysis and imaginative historical investigation how he conceived his works as a series of dramatic scripts. Mozart the Performer is a book for anyone who wishes to engage more deeply with Mozart's artistry and legacy and understand why, centuries later, his music still captivates us.
Pioneering the field of Springsteen scholarship when it first appeared in 1997, Born in the U.S.A. remains one of the definitive studies of Springsteen's work and its impact on American culture. Moving beyond journalistic and biographical approaches, Jim Cullen situates the artist in a wider historical canvas that stretches from the Puritans to Barack Obama, showing how he has absorbed, refracted, and revitalized American mythology, including the American Dream, the work ethic, and the long quest for racial justice. Exploring difficult questions about Springsteen's politics, he finds a man committed to both democratic and republican principles, as well as a patriot dedicated to revealing the lapses of a country he loves. This third edition of Born in the U.S.A. is fully revised and updated, incorporating discussion of Springsteen's wide output in the 21st century. While addressing Springsteen's responses to events like 9/11, it also considers the evolution of his attitudes towards religion, masculinity, and his relationship with his audience. Whether a serious Springsteen fan or simply an observer of American popular culture, Born in the U.S.A. will give you a new appreciation for The Boss.
How did the First World War, the so-called 'Great War' - widely seen on all sides as 'the war to end all wars' - impact the development of German philosophy? Combining history and biography with astute philosophical and textual analysis, Nicolas de Warren addresses here the intellectual trajectories of ten significant wartime philosophers: Ernst Bloch, Martin Buber, Ernst Cassirer, Hermann Cohen, György Lukács, Martin Heidegger, Edmund Husserl, Franz Rosenzweig, Max Scheler and Georg Simmel. In exploring their individual works written during and after the War, the author reveals how philosophical concepts and new forms of thinking were forged in response to this unprecedented catastrophe. In reassessing standardized narratives of German thought, the book deepens and enhances our understanding of the intimate and complex relationship between philosophy and violence by demonstrating how the 1914-18 conflict was a crucible for ways of thinking that still define us today.
The Roman Imperial Court in the Principate and Late Antiquity examines the Roman imperial court as a social and political institution in both the Principate and Late Antiquity. By analysing these two periods, which are usually treated separately in studies of the Roman court, it considers continuities, changes, and connections in the six hundred years between the reigns of Augustus and Justinian. Thirteen case studies are presented. Some take a thematic approach, analysing specific aspects such as the appointment of jurists, the role of guard units, or stories told about the court, over several centuries. Others concentrate on specific periods, individuals, or office holders, like the role of women and generals in the fifth century AD, while paying attention to their wider historical significance. The volume concludes with a chapter placing the evolution of the Roman imperial court in comparative perspective using insights from scholarship on other Eurasian monarchical courts. It shows that the long-term transformation of the Roman imperial court did not follow a straightforward and linear course, but came about as the result of negotiation, experimentation, and adaptation.
Voiceless, Invisible, and Countless in Ancient Greece explores the experiences of subordinates and the nature of their subordination in the Greek world 700--300 BCE. Throughout the course of the ten contributions it aims to bring forth the voices of the various groups and individuals affected by differing structures and degrees of subordination, and explore what can be gained by examining these together. What did these various and numerous groups, especially those who are underrepresented in scholarship, hold in common? Most people belonged to one of these subordinated groups, but recovering their existence is particularly difficult in archaic and classical Greece. Some groups we cannot hear about because they are not subjects of surviving discourses; some groups were systematically ignored or deliberately excluded from the historical record. The many with only partial or zero legal rights-slaves, metics, exiles-all benefit from renewed revelatory efforts, and by putting their experiences into conversation with other subordinated groups. This volume contains individual studies of slaves and indentured labourers, exiles, women, and disenfranchised of many kinds. It brings together leading scholars in the field and covers a broad range of philological, historical, and archaeological approaches to the discussion in an effort to better understand both the processes and the conditions of subordination.
The essential playlist of great writing about the music that rocked America, with fifty landmark pieces on Otis Redding, Janis Joplin, Led Zeppelin, and other rock n' roll legends Jonathan Lethem and Kevin Dettmar's Shake It Up invites the reader into the tumult and excitement of the rock revolution through fifty landmark pieces by a supergroup of writers on rock in all its variety, from heavy metal to disco, punk to hip-hop. Stanley Booth describes a recording session with Otis Redding; Ellen Willis traces the meteoric career of Janis Joplin; Ellen Sander recalls the chaotic world of Led Zeppelin on tour; Nick Tosches etches a portrait of the young Jerry Lee Lewis; Eve Babitz remembers Jim Morrison. Alongside are Lenny Kaye on acapella and Greg Tate on hip-hop, Vince Aletti on disco and Gerald Early on Motown; Robert Christgau on Prince, Nelson George on Marvin Gaye, Luc Sante on Bob Dylan, Hilton Als on Michael Jackson, Anthony DeCurtis on the Rolling Stones, Kelefa Sanneh on Jay Z. The story this anthology tells is a ongoing one- "it's too early," editors Jonathan Lethem and Kevin Dettmar note, "for canon formation in a field so marvelously volatile-a volatility that mirrors, still, that of pop music itself, which remains smokestack lightning. The writing here attempts to catch some in a bottle." Also features- NAT HENTOFF on BOB DYLAN AMIRI BARAKA on R&B LESTER BANGS on ELVIS PRESLEY ROBERT CHRISTGAU on PRINCE DEBRA RAE COHEN on DAVID BOWIE EVE BABITZ on JIM MORRISON ROBERT PALMER on SAM COOKE CHUCK KLOSTERMAN on HEAVY METAL JESSICA HOPPER on EMO JOHN JEREMIAH SULLIVAN on AXL ROSE ELIJAH WALD on THE BEATLES GREIL MARCUS on CHRISTIAN MARCLAY
The unforgettable story of a family swept into history by the Cuban Revolution In The House on G Street, award-winning author Lisandro Pérez tells Cuba's story through the lens of a single family: his own. His book relays the tales of two officers who fought against the Spanish for Cuban independence; a plantation owner who smuggles himself onto a ship; families divided by political loyalties; an orphaned boy from central Cuba who would go on to amass a fortune; a fatal love triangle; violence; and the ever-growing presence of the United States. It all culminates with an unforgettable portrait of a childhood spent in a world that was giving way to another one. The House on G Street is a unique depiction of one of the most consequential events of the twentieth century, told through generations of ancestors whose lives were shaped by dramatic historical forces. Pérez disentangles the complex history by following his family's thread, imbuing political events with personal meaning. Their story begins with emigration to Cuba and follows the waning years of the colony. The end of Spanish rule gives way to pervasive American influence, and Perez's family turned to New York as they adapted to the realities of a new republic with compromised sovereignty: privileged educations in boarding schools in Long Island and the Hudson Valley; a family business that took tobacco leaves from the soil of central Cuba to the docks of the East River; and grandparents who met and fell in love one night in the Upper West Side of Manhattan. His family learned to navigate the uneasy relationship between the United States and Cuba, a relationship that was destined to end in dramatic fashion. More than sixty years later, the Cuban Revolution resists receding into the past, sparking continued discussion, debate, and reinterpretation. There is a great deal that is known about the broad historical conditions that inexorably pushed Cuba towards revolution, but much less is known about the people who lived that dramatic history. It is a story that, if not recovered and told, will be lost, for Pérez's ancestors lived in a world that no longer exists, swept away by a tide of revolutionary change. The House on G Street follows a family whose lives mirror the history of a nation. The result is a compelling blend of memoir and in-depth historical research, a remarkable new view of the path to revolution as seen from the first person.
Politically Animated studies the convergence of animation and actuality within films, television series, and digital shorts from across the Spanish-speaking world. It interrogates the many ways in which animation as a stylistic tool and storytelling device participates in political projects underpinning an array of non-fiction works. The case studies in the book cover a diverse geographical scope, including Spain, Argentina, Colombia, and Mexico. They critically analyse different works such as feature-length animated documentary films, a work of animated journalism, a short animated essay, and micro-short episodes from a televised animated documentary series. Jennifer Nagtegaal employs the term "politically animated" in reference to the ideological implications of choosing specific techniques and styles of animation within certain socio-historical and cultural contexts. Nagtegaal illuminates the creative union of animated documentary and the comics medium currently being exploited by Spanish and Latin American cartoonists and filmmakers alike. By paying particular attention to cultural production beyond the big screen, Politically Animated continues to stretch the bounds of animated documentary scholarship.
Longlisted for the National Book Award in Nonfiction "Powerful and deeply moving."--Los Angeles Times * Shortlisted for the Museum of African American History's Stone Book Award * National Council on Public History Book Award Honorable Mention From a groundbreaking scholar, a heart-wrenching reexamination of the struggle for survival in the Reconstruction-era South, and what it cost. The story of Reconstruction is often told from the perspective of the politicians, generals, and journalists whose accounts claim an outsized place in collective memory. But this pivotal era looked very different to African Americans in the South transitioning from bondage to freedom after 1865. They were besieged by a campaign of white supremacist violence that persisted through the 1880s and beyond. For too long, their lived experiences have been sidelined, impoverishing our understanding of the obstacles post-Civil War Black families faced, their inspiring determination to survive, and the physical and emotional scars they bore because of it. In I Saw Death Coming, Kidada E. Williams offers a breakthrough account of the much-debated Reconstruction period, transporting readers into the daily existence of formerly enslaved people building hope-filled new lives. Drawing on overlooked sources and bold new readings of the archives, Williams offers a revelatory and, in some cases, minute-by-minute record of nighttime raids and Ku Klux Klan strikes. And she deploys cutting-edge scholarship on trauma to consider how the effects of these attacks would linger for decades--indeed, generations--to come. For readers of Carol Anderson, Tiya Miles, and Clint Smith, I Saw Death Coming is an indelible and essential book that speaks to some of the most pressing questions of our times.
This urgently needed next-generation negotiation text promises to shake up the field and center negotiation skills in the pursuit of social justice. Transformative Negotiation is filled with cases, activities, and discussion prompts that bring theory into action for a new generation of negotiation students. Instead of the usual examples of big corporate deals or a hostage crisis, this book explores the sorts of real-world examples that Sarah Federman's own students bring to class, such as negotiating with courts to get their kids back or with the IRS to reduce late fees. It centers an understanding of power and oppression as core to negotiation and argues that negotiation is central to social mobility and social change. Federman explains how heritage, ethnicity, wealth, gender, age, education, and other factors influence what we ask for and how people respond to our requests, as well as what is at stake when we negotiate. The same strategies used in the boardroom, if deployed in the streets, can lead to dangerous altercations. Based on the wisdom of over 100 individuals who negotiate successfully from the margins, Transformative Negotiation provides tools for those who need them most and guidance for instructors and managers wishing to support them.
Winner of the NAACP Image Award in Outstanding Graphic Novels Winner of the Libby Award for Best Comic/Graphic Novel of the Year Nominated for an Eisner Award for Best Graphic Memoir Named The Year's Best Graphic Novel by Publishers Weekly Named one of Publishers Weekly's Top Ten Best Books of 2023 Named one of NPR's Books We Love Named one of Kirkus' Best 2023 Books Named one of the Washington Post's 10 best graphic novels of 2023 One of TIME Magazine's Must-Read Books of the Year Shortlisted for the Andrew Carnegie Medal for Excellence in Nonfiction 2024 Booklist Editors' Choice: Graphic Novels, 2023 New York Public Library's Best New Comics of 2023 Top Ten Pick Chicago Public Library's Best Books of 2023 Top Ten Pick Named one of School Library Journal's Best Graphic Novels of 2023 Named one of The Guardian's Best Graphic Novels of 2023 Darrin Bell was six years old when his mother told him he couldn't have a realistic water gun. She said she feared for his safety, that police tend to think of little Black boys as older and less innocent than they really are. Through evocative illustrations and sharp humor, Bell examines how The Talk shaped intimate and public moments from childhood to adulthood. While coming of age in Los Angeles--and finding a voice through cartooning--Bell becomes painfully aware of being regarded as dangerous by white teachers, neighbors, and police officers and thus of his mortality. Drawing attention to the brutal murders of African Americans and showcasing revealing insights and cartoons along the way, he brings us up to the moment of reckoning when people took to the streets protesting the murders of George Floyd and Breonna Taylor. And now Bell must decide whether he and his own six-year-old son are ready to have The Talk.
The first major publication devoted to weaver and designer Dorothy Liebes, reinstating her as one of the most influential American designers of the twentieth century At the time of her death, Dorothy Liebes (1897-1972) was called "the greatest modern weaver and the mother of the twentieth-century palette." As a weaver, she developed a distinctive combination of unusual materials, lavish textures, and brilliant colors that came to be known as the "Liebes Look." Yet despite her prolific career and recognition during her lifetime, Liebes is today considerably less well known than the men with whom she often collaborated, including Frank Lloyd Wright, Henry Dreyfuss, and Edward Durrell Stone. Her legacy also suffered due to the inability of the black-and-white photography of the period to represent her richly colored and textured works. Extensively researched and illustrated with full-color, accurate reproductions, this important publication examines Liebes's widespread impact on twentieth-century design. Essays explore major milestones of her career, including her close collaborations with major interior designers and architects to create custom textiles, the innovative and experimental design studio where she explored new and unusual materials, her use of fabrics to enhance interior lighting, and her collaborations with fashion designers, including Clare Potter and Bonnie Cashin. Ultimately, this book reinstates Liebes at the pinnacle of modern textile design alongside such recognized figures as Anni Albers and Florence Knoll. Beautifully designed by Estudio Herrera, the book offers the reader a tactile experience. The real cloth cover with silkscreened typography and inset photograph opens to reveal an exposed spine and colored threads that tie together the page signatures and echo Liebes's own craft. Published in association with Cooper Hewitt, Smithsonian Design Museum Exhibition Schedule: Cooper Hewitt, Smithsonian Design Museum (July 7, 2023-February 4, 2024)
"An astounding debut." --Adrienne Raphel, The New York Times Book Review A dazzling love story in poems about one woman's coming-out, coming-of-age, and coming undone A woman lives an ordinary life in Brooklyn. She has a boyfriend. They share a cat. She writes poems in the prevailing style. She also has dreams: of being seduced by a throng of older women, of kissing a friend in a dorm-room closet. But the dreams are private, not real. One night, she meets another woman at a bar, and an escape hatch swings open in the floor of her life. She falls into a consuming affair--into queerness, polyamory, kink, power and loss, humiliation and freedom, and an enormous surge of desire that lets her leave herself behind. Maggie Millner's captivating, seductive debut is a love story in poems that explores obsession, gender, identity, and the art and act of literary transformation. In rhyming couplets and prose vignettes, Couplets chronicles the strictures, structures, and pitfalls of relationships--the mirroring, the pleasing, the small jealousies and disappointments--and how the people we love can show us who we truly are. "An endlessly inventive, wise, exhilarating book." --Garth Greenwell, author of Cleanness and What Belongs to You
In the second decade of the twenty-first century, an increasing number of children from El Salvador, Honduras, and Guatemala began arriving without parents at the U.S.-Mexico border. In many cases, the parents had left for the United States years earlier to earn money that they could send back home. In Reunited sociologists Ernesto Castañeda and Daniel Jenks explain the reasons for Central American youths' migration, describe the journey, and document how the young migrants experience separation from and subsequent reunification with their families. In interviews with Central American youth, their sponsors, and social services practitioners in and around Washington, D.C., Castañeda and Jenks find that Central American minors migrate on their own mainly for three reasons: gang violence, lack of educational and economic opportunity, and a longing for family reunification. The authors note that youth who feel comfortable leaving and have feelings of belonging upon arrival integrate quickly and easily while those who experience trauma in their home countries and on their way to the United States face more challenges. Castañeda and Jenks recount these young migrants' journey from Central America to the U.S. border, detailing the youths' difficulties passing through Mexico, proving to U.S. Customs and Border Protection officials that they have a legitimate fear of returning or are victims of trafficking, and staying in shelters while their sponsorship, placement, and departure are arranged. The authors also describe the tensions the youth face when they reunite with family members they may view as strangers. Despite their biological, emotional, and financial bonds to these relatives, the youth must learn how to relate to new authority figures and decide whether or how to follow their rules. The experience of migrating can have a lasting effect on the mental health of young migrants, Castañeda and Jenks note. Although the authors find that Central American youths' mental health improves after migrating to the United States, the young migrants remain at risk of further problems. They are likely to have lived through traumatizing experiences that inhibit their integration. Difficulty integrating, in turn, creates new stressors that exacerbate PTSD, depression, and anxiety. Consequently, schools and social service organizations are critical, the authors argue, for enhancing youth migrants' sense of belonging and their integration into their new communities. Bilingual programs, Spanish-speaking PTA groups, message boards, mentoring of immigrant children, and after-school programs for members of reunited families are all integral in supporting immigrant youth as they learn English, finish high school, apply to college, and find jobs. Offering a complex exploration of youth migration and family reunification, Reunited provides a moving account of how young Central American migrants make the journey north and ultimately reintegrate with their families in the United States.
Over the course of the twentieth and twenty-first centuries, Harlem has been the capital of both Black America and a global African diaspora, an early home for Italian and Jewish immigrant communities, an important Puerto Rican neighborhood, and a representative site of gentrification. How do we understand the power of a place with so many claims and identifications? Drawing on fiction, sociology, political speech, autobiography, and performance, Sandhya Shukla develops a living theory of Harlem, in which peoples of different backgrounds collide, interact, and borrow from each other, even while Blackness remains crucial. Cross-Cultural Harlem reveals a dynamic of exchange that provokes a rethinking of spaces such as Black Harlem, El Barrio, and Italian Harlem. Cross-cultural encounters among African Americans, West Indians, Puerto Ricans, Jews, and Italians provide a story of multiplicity that challenges the framework of territorial enclaves. Shukla illuminates the historical processes that have shaped the diversity of Harlem, examining the many dimensions of its Blackness-Southern, African, Caribbean, Puerto Rican, and more-as well as how white ethnicities have been constructed. Considering literary and historical examples such as Langston Hughes's short story "Spanish Blood," the career of the Italian American left-wing Harlem congressman Vito Marcantonio, and the autobiography of Puerto Rican-Cuban writer Piri Thomas, Shukla argues that cosmopolitanism and racial belonging need not be seen as contradictory. Cross-Cultural Harlem offers a vision of sustained dialogue to respond to the challenges of urban transformations and to affirm the future of Harlem as actual place and global symbol.
The award-winning, genre-crossing writer demonstrates her power as a funkadelic and formidable feminist voice in this rich and beautiful collection of verse and image--a multi-part retrospective that traverses time, space, and reality to illuminate the expansiveness of Black femme lives. Side Notes from the Archivist is a preservation of Black culture viewed through a feminist lens. The Archivist leads readers through poems that epitomize youthful renditions of a Black girl coming of age in Philadelphia's pre-funk '80s; episodic adventures of "the Black Girl" whose life is depicted through the white gaze; and selections of verse evincing affection for self and testimony to the magnificence within Black femme culture at-large. Every poem in Side Notes elevates and honestly illustrates the buoyancy of Blackness and the calamity of Black lives on earth. In her uniquely embracing and experimental style, Anastacia-Reneé documents these truths as celebrations of diverse subjects, from Solid Gold to halal hotdogs; as homages and reflections on iconic images, from Marsha P. Johnson to Aunt Jemima; and as critiques of systemic oppression forcing some to countdown their last heartbeat. From internet "Fame" to the toxicity of the white gaze, Side Notes from the Archivist cements Anastacia-Reneé role as a leading light in the womanist movement--an artist whose work is in conversation with advocates of Black culture and thought such as Audre Lorde, Amiri Baraka, and Nikki Giovanni.
Analyzing sport through the lens of performance and theorizing performance through the lens of sport, Sport and Performance in the Twenty-First Century offers a field intervention, a series of in-depth performance analyses, and an investigation of the intersection between sport performances and public life in the historical present in the global north. The objectives of this book are three-fold. First, the book advocates for the study of sport in the fields of Theatre and Performance Studies and, through in-depth performance analyses, demonstrates how the critical language and methods of performance studies help illuminate the manifold impacts of the practices, activities, and events of sport. Second, the book introduces new critical language that was originally developed in conjunction with sport but is also designed for cross-genre performance analysis. In introducing novel terminology, the book aims to simultaneously facilitate analysis of sport performances and to demonstrate how the study of sport can contribute to the fields of Theatre and Performance Studies. Finally, the book investigates the epistemological, affective, and socio-political effects of sport performances in order to illuminate how sport performances influence, and are influenced by, their historical conditions. This study will be of great interest to students and scholars in Theatre and Performance Studies, Physical Culture Studies, and Socio-Cultural Sports Studies.
The 13th-century Arabic grimoire, al-Sakkaki’s Kitab al-Shamil (Book of the Complete), provides numerous methods of contacting jinn. The first such jinn described, Abu Isra’il Buzayn ibn Sulayman, arrives with a donkey. In the course of offering an explanation for his ritual, this Element reveals the double-sided nature of asinine symbology, and explains why this animal has served as the companion of both demons and prophets. Focusing on two nodes of donkey symbology--the phallus and the bray-it reveals a coincidentia oppositorum in a deceptively humble and comic animal form. Thus, the donkey, bearer of a demonic voice, and of a phallus symbolic of base materiality, also represents transcendence of the material and protection from the demonic. In addition to Arabic literature and occult rituals, the Element refers to evidence from the ancient Near East, Egypt, and Greece, as well as to medieval Jewish and Christian texts.
Women from Chuuk, Federated States of Micronesia, who migrate to Guam, a U.S. territory, suffer disproportionately poor reproductive health outcomes. Though their access to the United States is unusually easy, through a unique migration agreement, it keeps them in a perpetual liminal state as nonimmigrants, who never fully belong as part of the United States Chuukese women move to Guam, sometimes with their families but sometimes alone, in search of a better life: for jobs, for the education system, or to access safe health care. Yet, the imperial system they encounter creates underlying conditions that greatly and disproportionately impact their ability to succeed and thrive, negatively impacting their reproductive health. Through clinical and community ethnography, Sarah A. Smith illuminates the way this system stratifies women's reproduction at structural, social, and individual levels. Readers can visualize how U.S. imperialist policies of benign neglect control the body politic, change the social body, and render individual bodies vulnerable in the twenty-first century but also how people resist.
Wisdom From the Edge describes what anthropologists can do to contribute to the social and cultural changes that shape a future of social well-being and viability. Paul Stoller shows how anthropologists can develop sensuously described ethnographic narratives to communicate powerfully their insights to a wide range of audiences. These insights are filled with wisdom about how respect for nature is central to the future of humankind. Stoller demonstrates how the ethnographic evocation of space and place, the honing of dialogue, and the crafting of character depict the drama of social life, and borrows techniques from film, poetry, and fiction to expand the appeal of anthropological knowledge and heighten its ability to connect the public to the idiosyncrasies of people and locale. Ultimately, Wisdom from the Edge underscores the importance of recognizing and applying indigenous wisdom to the social problems that threaten the future.
In Fighting Invisibility, Monica Mong Trieu argues that we must consider the role of physical and symbolic space to fully understand the nuances of Asian American racialization. By doing this, we face questions such as, historically, who has represented Asian America? Who gets to represent Asian America? This book shifts the primary focus to Midwest Asian America to disrupt--and expand beyond--the existing privileged narratives in United States and Asian American history. Drawing from in-depth interviews, census data, and cultural productions from Asian Americans in Ohio, Wisconsin, Nebraska, Minnesota, Illinois, Iowa, Indiana, and Michigan, this interdisciplinary research examines how post-1950s Midwest Asian Americans navigate identity and belonging, racism, educational settings, resources within co-ethnic communities, and pan-ethnic cultural community. Their experiences and life narratives are heavily framed by three pervasive themes of spatially defined isolation, invisibility, and racialized visibility. Fighting Invisibility makes an important contribution to racialization literature, while also highlighting the necessity to further expand the scope of Asian American history-telling and knowledge production.
Uncovers a spiritual dimension in the transition to the Anthropocene. What is the role of religion in shaping interactions and relations between the human and nonhuman in nature? Why are Muslim and Christian organizations generally not a potent force in Southeast Asian environmental movements? The Camphor Tree and the Elephant brings these questions into the history of ecological change in the region, centering the roles of religion and colonialism in shaping the Anthropocene--"the human epoch." Historian Faizah Zakaria traces the conversion of the Batak people in upland Sumatra and the Malay Peninsula to Islam and Christianity during the long nineteenth century. She finds that the process helped shape social structures that voided the natural world of enchantment, ushered in a cash economy, and placed the power to remake local landscapes into the hands of a distant elite. Using a wide array of sources such as family histories, prayer manuscripts, and folktales in tandem with colonial and ethnographic archives, Zakaria brings everyday religion and its far-flung implications into our understanding of the environmental history of the modern world.
The second edition of this pathbreaking, widely taught book offers six new chapters, on breastfeeding and Black infant health; Black birthing during COVID; Black doulas rethinking birthing practices; the recent buildup of a US national movement; childbirth in Zanzibar; and expanding the global movement for sexual and reproductive well-being. Other chapters are updated throughout. Birthing Justice puts Black women's voices at the center of the debate on what should be done to fix the broken maternal care system. It foregrounds Black women's agency in the birth justice movement. First published in 2016, Birthing Justice is a seminal text for those interested in maternal healthcare, reproductive justice, health equity, and intersectional racial justice, especially in courses on gender studies, Black studies, public health, and training programs for midwives and OB/GYNs.
"Our Enemies Will Vanish achieves the highest level of war reporting: a tough, detailed account that nevertheless reads like a great novel. One is reminded of Michael Herr's Dispatches . . . Frankly, it's what we have all aspired to. I did not really understand Ukraine until I read Trofimov's account." --Sebastian Junger A revelatory eyewitness account of Russia's invasion of Ukraine and heroism of the Ukrainian people in their resistance by Yaroslav Trofimov, the Ukrainian chief foreign-affairs correspondent for The Wall Street Journal. Since Russia invaded Ukraine in February 2022, Yaroslav Trofimov has spent months on end at the heart of the conflict, very often on its front lines. In this authoritative account, he traces the war's decisive moments--from the battle for Kyiv to more recently the gruelling and bloody arm wrestle involving the Wagner group over Bakhmut--to show how Ukraine and its allies have turned the tide against Russia, one of the world's great military powers, in a modern-day battle of David and Goliath. Putin had intended to conquer and annex Ukraine with a vicious blitzkrieg, redrawing the map of Europe in a few short weeks with seismic geopolitical consequences. But in the face of this existential threat, the Ukrainian people fought back, turning what looked like certain defeat into a great moral victory, even as the territorial battle continues to seesaw to this day. This is the story of the epic bravery of the Ukrainian people--people Trofimov knows very well. For Trofimov, this war is deeply personal. He grew up in Kyiv and his family has lived there for generations. With deep empathy and local understanding, Trofimov tells the story of how everyday Ukrainian citizens--doctors, computer programmers, businesspeople, and schoolteachers--risked their lives and lost loved ones. He blends their brave and tragic stories with expert military analysis, providing unique insight into the thinking of Ukrainian leadership and mapping out the decisive stages of what has become a perilous war for Ukraine, the Putin regime, and indeed, the world. This brutal, catastrophic struggle is unfolding on another continent, but the United States and its NATO allies have become deeply implicated. As the war drags on, it threatens to engulf the world. We cannot look away. At once heart-breaking and inspiring, Our Enemies Will Vanish is a riveting, vivid, and first-hand account of the Ukrainian refusal to surrender. It is the story of ordinary people fighting not just for their homes and their families but for justice and democracy itself.
The Cyborg Caribbean examines a wide range of twenty-first-century Cuban, Dominican, and Puerto Rican science fiction texts, arguing that authors from Pedro Cabiya, Alexandra Pagan-Velez, and Vagabond Beaumont to Yasmin Silvia Portales, Erick Mota, and Yoss, Haris Durrani, and Rita Indiana Hernandez, among others, negotiate rhetorical legacies of historical techno-colonialism and techno-authoritarianism. The authors span the Hispanic Caribbean and their respective diasporas, reflecting how science fiction as a genre has the ability to manipulate political borders. As both a literary and historical study, the book traces four different technologies--electroconvulsive therapy, nuclear weapons, space exploration, and digital avatars--that have transformed understandings of corporality and humanity in the Caribbean. By recognizing the ways that increased technology may amplify the marginalization of bodies based on race, gender, sexuality, and other factors, the science fiction texts studied in this book challenge oppressive narratives that link technological and sociopolitical progress. .
An expansive look at ancient art and architecture over four centuries highlighting the diversity of makers and viewers within and beyond Rome's ever-changing political boundaries Roman art and architecture is typically understood as being bound in some ways to a political event or as a series of aesthetic choices and experiences stemming from a center in Rome itself. Moving beyond the misleading catchall label "Roman," John North Hopkins aims to untangle the many peoples whose diverse cultures and traditions contributed to Rome's visual culture over a four-hundred-year time span across the first millennium BCE. Hopkins carefully reconsiders some of the period's most iconic works by way of the many practices and peoples bound up with them. Some of these include the extraordinary and complex effort to build the Temple of Jupiter; the creative actions and diverse encounters tied to luxury objects like the Ficoroni Cista; and the important meanings held by sacred temple sculpture and votive offerings through their making and subsequent practices of devotion. A key purpose of this book is to question an idea of Rome that has focused on elite production and the textual record; Hopkins instead calls attention to the lesser-known--often silenced--actors who were integral players. The result is a deep understanding of a diverse and historically rich Italic and Mediterranean world, as well as the myriad cultures, communities, and individuals who would have made and experienced art within and around the changing political boundaries of Rome.
From a New York Times bestselling author, this groundbreaking book celebrates and examines the history of Asian Americans on the big screen, exploring how iconic films have shaped Hollywood, representation, and American culture. In 2018, the critical and financial success of Crazy Rich Asians ignited new fires in Hollywood to create and back Asian-centric stories. Since then, the number of movies featuring Asian Americans, either in front or behind the camera, has boomed and ushered in a new era of filmmaking. But many films, like The Joy Luck Club in 1993, paved the way for Asian American-led films before Crazy Rich Asians and to today. The Golden Screen is an in-depth look at those films, and the factors that played into their success. The Golden Screen includes commentary and conversations from Hollywood's most visible faces, such as Simu Liu, Lulu Wang, Daniel Dae Kim, Janet Yang, Ronny Chieng, Alice Wu, and Ken Jeong. See the movies that inspired today's modern stars to enter moviemaking, and how they're paying it forward to the next wave of creators. Featuring beautiful, original artwork from nine esteemed Asian illustrators, including: Toma Nguyen, barbarian flower, Jun Cen, Cryssy Cheung, Cliff Chiang, Yu-Ming Huang, JiYeun Kang, Ashraf Omar, and Zi Xu. A beautiful keepsake and collection of over 100 photographs and original art, The Golden Screen is perfect for movie and history fans alike, and reaffirms the importance of the Asian American film canon, and all the people involved, in an increasingly diverse Hollywood.
Lenin lived a controversial life and has had a deeply controversial reputation in the centenary since his death (21 January 1924) His rise from a conventional, educated, provincial, and middle-class background to become not only the leader, even dictator, over the largest country on earth, is dramatic and vital in itself. But it is only part of the story. Even after his death, he was unchallenged as the chief inspirer of a disparate world revolutionary movement which rocked the dominant capitalist world for most of the twentieth century. His admirers and disciples included major intellectual and cultural figures, such as Brecht, Picasso, Sartre, Franz Fanon and Pablo Neruda; disparate radical activists and revolutionaries such as Ho Chi Minh, Joseph Stalin, Mao Ze dong, Fidel Castro, Che Guevara, Josip Broz Tito, terrorist groups such as the Red Brigades and Baader-Meinhof, and many liberation movements. Despite this, his work and influence have often been written off as no longer relevant, and many today consider this to be so. Lenin has, they claim, had his day, even though he is still revered in China, the world's most populous country. However, Lenin, like his mentor Marx, has had a tendency to rise from apparent decline and oblivion to renewed force and influence. This study examines the key elements of Lenin's life and career, the consolidation of his ideas into the doctrines of 'Leninism', the influence of Leninism in promoting revolutionary movements around the globe, and the currently disputed issue of whether his ideas still have any relevance today. In particular, while considering his views on the role of the revolutionary party, often seen as the centrepiece of his theory and practice, this account identifies the root of Lenin's global influence in his opposition to capitalist imperialism and as a bedrock foundation for the opposition of many to fascism and associated ideologies. While recognizing that Lenin's reputation has reached its lowest point, not least in his home country where his legacy is reviled by Vladimir Putin and other contemporary leaders, the book concludes by weighing up the contemporary arguments of those who believe that Lenin still lives.
The meteoric rise of online video is reshaping the competition for human attention. The Rise of the Algorithms argues that this new technology has changed the way we interact with others, our relationships with public institutions, and our very own behaviors and psyches. In tracing the origins and evolution of online video, John M. Jordan examines the mechanics--and the ethical stakes--of online video platforms, especially YouTube and TikTok but also others, such as Twitch. Tracing the use of algorithms pioneered by Facebook and Google and so successfully exploited by TikTok's corporate parent, ByteDance, Jordan shows how these platforms now engineer human behavior--with consequences for culture, politics, and identity. Jordan argues that we are at an inflection point. Until now we have proved, as a society, ill-prepared or unwilling to address such problems as the power of digital platforms, the personal cost of viral celebrity, the invasion of privacy, and the proliferation of disinformation. The Rise of the Algorithms combines this urgent assessment with a clear-eyed discussion of present challenges and recommendations for reclaiming our online futures. A valuable resource for understanding the transformations that have been and will be brought by YouTube, TikTok, and similar platforms, Jordan's timely book is a vital work for anyone who uses the internet and especially for policy makers, technologists, communication and media specialists, and researchers who have a direct hand in determining the future of our online world.
During the Last Ice Age, Europe was a cold, dry place teeming with mammoths, woolly rhinoceroses, reindeer, bison, cave bears, cave hyenas, and cave lions. It was also the home of people physically indistinguishable from humans today, commonly known as the Cro-Magnons. Our knowledge of them comes from either their skeletons or the tools, art, and debris they left behind. This book tells the story of these dynamic and resilient people in light of recent scientific advances. Trenton Holliday--a paleoanthropologist who has studied the Cro-Magnons for decades--explores questions such as: Where and when did anatomically modern humans first emerge? When did they reach Europe, and via what routes? How extensive or frequent were their interactions with Neandertals? What did Cro-Magnons look like? What did they eat, and how did they acquire their food? What can we learn about their lives from studying their skeletons? How did they deal with the glacial cold? What does their art tell us about them? Holliday offers new insights into these ancient people from anthropological, archaeological, genetic, and geological perspectives. He also considers how the Cro-Magnons responded to Earth's postglacial warming almost 12,000 years ago, showing that how they dealt with climate change holds valuable lessons for us as we negotiate life on a rapidly warming planet.
This volume on feminist, postcolonial and queer biblical interpretation gathers perspectives from a global body of researchers; in offering innovative interpretations of key texts from the Hebrew Bible, both established and emerging biblical scholars consider the question of how commonplace interpretative practices may be considered to be transgressive in nature. Utilizing innovative strategies, they read against the grain of the text and in support of the marginalized, the subordinated or subaltern others both in the text and in our world today. Important questions regarding power and privilege are constantly raised: whose voices are being heard, and whose interests are being served? Knowing all too well the harm that stereotypical constructions of the Other can do in terms of feeding racism, sexism, homophobia and imperialism in their respective interpretative communities, the essays in this volume interrogate constructions of ethnicity, gender, sexual orientation, and class, both in the text as well as in their respective contexts. By means of these thought-provoking interpretations, the contributors show their commitment not merely the sake of scholarship but to a scholarly ethos, which in some shape or form contributes to the cultivation of more just, equitable societies.
Providing a new mosaic-style view of Manzanar's complex history through unedited interviews and published scholarship, Arthur A. Hansen presents a deep, longitudinal portrait of the politics and social formation of the Japanese American community before, during, and after World War II. To begin, Hansen presents two essays, the first centering on his work with Ronald Larson in the mid-1970s on the history of Doho, a Japanese and English dual-language newspaper, and the second an article with David Hacker on revisionist ethnic perspectives of the Manzanar "riot." A second section is composed of five oral history interviews of selected camp personalities--a female Nisei journalist, a male Nisei historical documentarian, a male Kibei Communist block manager, the Caucasian wife and comrade of the block manager, and the male Kibei who was the central figure in the Manzanar Riot/Revolt--that offer powerful insight into the controversial content of the two essays that precede them. Manzanar can be understood only by being considered within the much wider context of Japanese American community formation and contestation before, during, and after World War II. A varied collection of scholarly articles and interviews, Manzanar Mosaic engages diverse voices and considers multiple perspectives to illuminate aspects of the Japanese American community, the ethnic press, the Manzanar concentration camp, and the movement for redress and reparations.
During his four years as the tenth Chancellor of Berkeley (2013-17), Nicholas B. Dirks was confronted by crises arguably more challenging than those faced by any other college administrator in the contemporary period. This thoughtfully candid book, emerging from deep reflection on his turbulent time in office, offers not just a gripping insider's account of the febrile politics of his time as Berkeley's leader, but also decades of nuanced reflection on the university's true meaning (at its best, to be an aspirational 'city of intellect'). Dirks wrestles with some of the most urgent questions with which educational leaders are presently having to engage: including topics such as free speech and campus safe spaces, the humanities' contested future, and the real cost and value of liberal arts learning. His visionary intervention - part autobiography, part practical manifesto - is a passionate cri de coeur for structural changes in higher education that are both significant and profound.
This fully updated sixth edition of a classic classroom text is essential reading for core courses in archaeology. Archaeology: An Introduction explains how the subject emerged from an amateur pursuit in the eighteenth century into a serious discipline and explores changing trends in interpretation in recent decades. The authors convey the excitement of archaeology while helping readers to evaluate new discoveries by explaining the methods and theories that lie behind them. In addition to drawing upon examples and case studies from many regions of the world and periods of the past, the book incorporates the authors' own fieldwork, research and teaching. It continues to include key reference and further reading sections to help new readers find their way through the ever-expanding range of archaeological publications and online sources as well as colour illustrations and boxed topic sections to increase comprehension. Serving as an accessible and lucid textbook, and engaging students with contemporary issues, this book is designed to support students studying Archaeology at an introductory level. New to the sixth edition: Inclusion of the latest survey and imaging techniques, such as the use of drones and eXtended reality. Updated material on developments in dating, DNA analysis, isotopes and population movement, including consideration of the ethical considerations of these techniques. Coverage of new developments in archaeological theory, such as the material turn/ontological turn, and work on issues of equality, diversity and inclusion. A whole new chapter covering archaeology in the present, including new sections on heritage and public archaeology, and an updated consideration of archaeology's relationship with the climate crisis. A revised glossary with over 200 new additions or updates.
Focused on understanding and analyzing LGBTQ activism and protest globally, this edited collection brings together voices from different parts of the world to examine LGBTQ protests and their impact. Through the lens of media, culture, and socio-political structures, this collection highlights how cultural and technical factors like the emergence of social media and other digital platforms have impacted LGBTQ activism. This book draws on studies from countries as varied as Zimbabwe, Bangladesh, Sri Lanka, Hungary, Morocco, China, and the US. The contributions provide important insight into how social media and digital platforms have provided space for self-expression and protest and encouraged advocacy and empowerment for LGBTQ movements. It also examines the diversity and similarities between different national contexts and the various obstacles faced, while spotlighting countries that are traditionally understudied in western academia, in an important step towards decolonizing research. Each chapter, through the voices of activists and media scholars, moves beyond an oversimplified examination of queer protests to show, in rich detail, the exciting yet complicated terrain of queer protests throughout the globe. This book is suitable for media, communication, and cultural studies students, researchers, academics, and LGBTQ activists, as well as students and scholars from related academic disciplines.
Big History seeks to retell the human story in light of scientific advances by such methods as radiocarbon dating and genetic analysis. This book provides a deep, causal view of the forces that have shaped the universe, the earth, and humanity. Starting with the Big Bang and the formation of the earth, it traces the evolutionary history of the world, focusing on humanity's origins. It also explores the many natural forces shaping humanity, especially the evolution of the brain and behaviour. Moving through time, the causes of such important transformations as agriculture, complex societies, the industrial revolution, the enlightenment, and modernity are placed in the context of underlying changes in demography, learning, and social organization. Humans are biological creatures, operating with instincts evolved millions of years ago, but in the context of a rapidly changing world, and as we try to adapt to new circumstances, we must regularly reckon with our deep past.
The stage of the 1700s established a star culture, with the emergence of such acting celebrities as David Garrick, Susannah Cibber, and Sarah Siddons. It placed Shakespeare at the heart of the classical repertoire and offered unprecedented opportunities to female actors. This book demonstrates how an understanding of the practice and theories circulating three hundred years ago can generate new ways of studying and performing plays of all kinds in the present. Eight short essays - on emotions, cultivation, character, voice, action, company, audience, and reflection - provide two things: a vivid introduction to the practice and ideas of the eighteenth-century stage, and the story of how these past practices and ideas were used in collaborative workshops around the UK to create new rehearsal exercises. Designed to work alone or in combination, these exercises are also open to further adaptation and analysis as part of a work that treats theatre writers of the past as potential collaborators for those interested in theatre today. Marrying academic and professional theatre expertise, this book ranges through a vast archive of writing about acting, from private letters and battered promptbooks, through to philosophical treatises and celebrity biographies. The exercises, stories, and ideas shared here capture the strangeness of this material - and sometimes its surprising familiarity, as questions asked of actors then seem to anticipate those questions we ask now. A truly unique offering, What would Garrick Do? Or, Acting Lessons from the Eighteenth Century offers a fascinating deep-dive into an important time in theatre history to illuminate practices and processes today.
This volume places Alexander the Great's leadership, command skills, and grand strategy within the context of 21st century military challenges, showing how his legacy and human leadership remains relevant in our digital era.
Dismantling Racism: One Relationship at a Time inspires and challenges readers to think critically about racism and its impact on themselves and others in complex and nuanced ways. With a commitment to an inverted approach to racism, Tina M. Harris' trickle-down theory illustrates the interconnection between racist ideologies and interracial relationships. The example of interracial romantic relationships as an illustration of how societal attitudes dictate interracial relationships shows how trickle-down theory brings to the surface a person's and society's true attitudes about race. The theory further demonstrates how all of our interpersonal connections are a testament of racial socialization processes and how we manage our interracial interactions and relationships. Celebrating the power of interracial communication to dismantle forms of systemic oppression, the book provides essential vocabulary for both societal misconceptions and transformative practices of interpersonal conversation. The book culminates in the racial intentionality roadmap (RaIR), a self-reflexive guide to immediately and repeatedly identifying ways to help eradicate racism in all the spaces we occupy. Ultimately, Dismantling Racism challenges readers to develop authentic, organic interracial relationships that translate into changes in systems that perpetuate racial division.
