GRIN 226/GERM 226 German Fairytales

Fairy tales have never known geographical, disciplinary or cultural borders. In many ways, they provide a model for thinking about storytelling on a transnational level long before comparative literature began transforming itself into world literature. As the simple expression of complex thought, fairy tales have increasingly become the focus of intense scholarly inquiry. In this Companion, international scholars from a range of academic disciplines explore the historical origins, cultural dissemination and psychological power of fairy stories, and offer model interpretations of tales from a variety of traditions and sources, including Charles Perrault, the Brothers Grimm and the One Thousand and One Nights. Rather than disenchanting the stories, the essays in this volume broaden our understanding of them and deepen our appreciation of the cultural work they do. A chronology and guide to further reading contribute to the usefulness of the volume for students and scholars.

(edited for length) In over 1,000 entries, this acclaimed Companion covers all aspects of the Western fairy tale tradition, from medieval to modern, under the guidance of Professor Jack Zipes. It provides an authoritative reference source for this complex and captivating genre, exploring the tales themselves, the writers who wrote and reworked them, and the artists who illustrated them. It also covers numerous related topics such as the fairy tale and film, television, art, opera, ballet, the oral tradition, music, advertising, cartoons, fantasy literature, feminism, and stamps. First published in 2000, 130 new entries have been added to account for recent developments in the field, including J.K. Rowling and Suzanne Collins, and new articles on topics such as cognitive criticism and fairy tales, digital fairy tales, fairy tale blogs and websites, and pornography and fairy tales.

(edited for length)
1. Characteristics of the genre. (Defining fairy tales; Studying the fairy tale; Central themes of classical fairy tales; Meaning of enchantment; Heroes and heroines in Grimms' fairy tales)
2. Writers and collections of fairy tales (Charles Perrault's Mother Goose tales; Grimms' household tales; Hans Christian Andersen; Frank Stockton)
3. Analyzing fairy tales. (Characters and characterization in Beauty and the beast; Little Red Riding Hood: victim of the revisers; Structure and themes in Snow White; America's Cinderella)
4. Influence on literature. (Charles Dickens and the fairy tale as social commentary; Modern anti-fairy tale poetry; Contemporary feminist fairy tales; Fairy tales are an ideal literary form)
5. Assessment of the genre. (Fairy tales promote self-discovery; Fairy tales send the wrong message; Fairy tales can provide a positive social vision; Fairy tales are cathartic.)

In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives.

This revised, expanded, and updated edition of the 1979 landmark Breaking the Magic Spell examines the enduring power of fairy tales and the ways they invade our subjective world. In seven provocative essays, Zipes discusses the importance of investigating oral folk tales in their socio-political context and traces their evolution into literary fairy tales, a metamorphosis that often diminished the ideology of the original narrative. Zipes also looks at how folk tales influence our popular beliefs and the ways they have been exploited by a corporate media network intent on regulating the mystical elements of the stories. He examines a range of authors, including the Brothers Grimm, Hans Christian Anderson, Ernst Bloch, Tolkien, Bettelheim, and J.K. Rowling to demonstrate the continuing symbiotic relationship between folklore and literature.

The tales--116 in all--are thematically grouped. Each grouping is introduced and annotated by Jack Zipes, the genre's reigning expert. Twenty illustrations accompany the texts."Criticism" includes seven important assessments of different aspects of the fairy tale tradition, written by W. G. Waters, Benedetto Croce, Lewis Seifert, Patricia Hannon, Harry Velten, Siegfried Neumann, and Jack Zipes.Brief biographies of the storytellers and a Selected Bibliography are included.

An introduction to over 30 of the best versions of this familiar tale, providing a detailed examination of the social history behind the literary Little Red Riding Hood.

The fairy tale may be one of the most important cultural and social influences on children's lives. But until Fairy Tales and the Art of Subversion, little attention had been paid to the ways in which the writers and collectors of tales used traditional forms and genres in order to shape children's lives - their behavior, values, and relationship to society. As Jack Zipes convincingly shows, fairy tales have always been a powerful discourse, capable of being used to shape or destabilize attitudes and behavior within culture. For this new edition, the author has revised the work throughout and added a new introduction bringing this classic title up to date.

In Grimm Legacies, esteemed literary scholar Jack Zipes explores the legacy of the Brothers Grimm in Europe and North America, from the nineteenth century to the present. Zipes reveals how the Grimms came to play a pivotal and unusual role in the evolution of Western folklore and in the history of the most significant cultural genre in the world--the fairy tale. Folklorists Jacob and Wilhelm Grimm sought to discover and preserve a rich abundance of stories emanating from an oral tradition, and encouraged friends, colleagues, and strangers to gather and share these tales. As a result, hundreds of thousands of wonderful folk and fairy tales poured into books throughout Europe and have kept coming. Zipes looks at the transformation of the Grimms' tales into children's literature, the Americanization of the tales, the "Grimm" aspects of contemporary tales, and the tales' utopian impulses. He shows that the Grimms were not the first scholars to turn their attention to folk tales, but were vital in expanding readership and setting the high standards for folk-tale collecting that continue through the current era. Zipes concludes with a look at contemporary adaptations of the tales and raises questions about authenticity, target audience, and consumerism. With erudition and verve, Grimm Legacies examines the lasting universal influence of two brothers and their collected tales on today's storytelling world.

This book contains an anthology of feminist fairy tales & critical essays which demonstrate how recent writers have changed the aesthetic constructs & social context of fairy tales in order to reflect changes in the roles of sex & gender.

Containing forty stories in new translations by Maria Tatar--including "Little Red Riding Hood," "Cinderella," "Snow White," and "Rapunzel"--the book also features 150 illustrations, many of them in color, by legendary painters such as George Cruikshank and Arthur Rackham; hundreds of annotations that explore the historical origins, cultural complexities, and psychological effects of these tales; and a biographical essay on the lives of Jacob and Wilhelm Grimm. Perhaps most noteworthy is Tatar's decision to include tales that were previously excised, including a few bawdy stories and others that were removed after the Grimms learned that parents were reading the book to their children--stories about cannibalism in times of famine and stories in which children die at the end.

When Hansel and Gretel try to eat the witch's gingerbread house in the woods, are they indulging their "uncontrolled cravings" and "destructive desires" or are they simply responding normally to the hunger pangs they feel after being abandoned by their parents? Challenging Bruno Bettelheim and other critics who read fairy tales as enactments of children's untamed urges, Maria Tatar argues that it is time to stop casting the children as villians. In this provocative book she explores how adults mistreat children, focusing on adults not only as hostile characters in fairy tales themselves but also as real people who use frightening stories to discipline young listeners.

Murder, mutilation, cannibalism, infanticide, and incest: the darker side of classic fairy tales figures as the subject matter for this intriguing study of Jacob and Wilhelm Grimm's Nursery and Household Tales. This updated and expanded second edition includes a new preface and an appendix containing new translations of six tales, along with commentary by Maria Tatar. Throughout the book, Tatar skillfully employs the tools not only of a psychoanalyst but also of a folklorist, literary critic, and historian to examine the harsher aspects of these stories. She presents new interpretations of the powerful stories in this worldwide best-selling book. Few studies have been written in English on these tales, and none has probed their allegedly happy endings so thoroughly.