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Chinese Culture in the 21st Century and Its Global Dimensions by
This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives. It covers a variety of topics concerning the contemporary significance of Chinese culture in its philosophical, literary and artistic manifestations, including literature, film, performing arts, creative media, linguistics, translations and philosophical ideas. The book explores the reception of Chinese culture in different geographic locations and how the global reception of Chinese culture contrasts with the local Chinese community. The chapters collectively cover gender studies and patriarchal domination in Chinese literature in comparison to the world literature, explorations on translation of Chinese culture in the West, Chinese studies as an academic discipline in the West, and Chinese and Hong Kong films and performances in the global context. The book is an excellent resource for both scholars and students interested in the development of Chinese culture on the global stage in the 21st Century.
Keywords in Chinese Culture by
Like every major culture, Chinese has its set of keywords: pivotal terms of political, ethical, literary, and philosophical discourse. Tracing the origins, development, polysemy, and usages of keywords is one of the best ways to chart cultural and historical changes. This volume analyzes some of these keywords from different disciplinary and temporal perspectives, offering a new integrative study of their semantic richness, development trajectory, and distinct usages in Chinese culture. The authors of the volume explore different keywords and focus on different periods and genres, ranging from philosophical and historical texts of the Warring States period (453-221 BCE) to late imperial (ca. 16th-18th centuries CE) literature and philosophy. They are guided by a similar set of questions: What elevates a mere word to the status of keyword? What sort of resonance and reverberations do we expect a keyword to have? How much does the semantic range of a keyword explain its significance? What kinds of arguments does it generate? What are the stories told to illustrate its meanings? What are political and intellectual implications of the keyword's reevaluation? What does it mean to translate a keyword and map its meaning against other languages? Throughout Chinese history, new ideas and new approaches often mean reinterpreting important words; rupture, continuities, and inflection points are inseparable from the linguistic history of specific terms. The premise of this book is that taking the long view and encompassing different disciplines yield new insights and unexpected connections. The authors, who come from the fields of history, philosophy, and literature, explore keywords in different genres and illuminate their multiple dimensions in various contexts. Moreover, despite their different temporal focus, they take into consideration the development of selected keywords from the Warring States to the late imperial period, sometimes adding excurses that extend to contemporary usage.
Beyond Sinology by
New communication and information technologies provide distinct challenges and possibilities for the Chinese script, which, unlike alphabetic or other phonetic scripts, relies on multiple signifying principles. In recent decades, this multiplicity has generated a rich corpus of reflection and experimentation in literature, film, visual and performance art, and design and architecture, within both China and different parts of the West. Approaching this history from a variety of alternative theoretical perspectives, Beyond Sinology reflects on the Chinese script to pinpoint the multiple connections between languages, scripts, and medial expressions and cultural and national identities. Through a complex study of intercultural representations, exchanges, and tensions, the text focuses on the concrete "scripting" of identity and alterity, advancing a new understanding of the links between identity and medium and a critique of articulations that rely on single, monolithic, and univocal definitions of writing. Chinese writing--with its history of divergent readings in Chinese and non-Chinese contexts, with its current reinvention in the age of new media and globalization--can teach us how to read and construct mediality and cultural identity in interculturally responsible ways and also how to scrutinize, critique, and yet appreciate and enjoy the powerful multi-medial creativity embodied in writing.
Chinese Proverbs and Popular Sayings by
"Chinese Proverbs and Popular Sayings is for everyday readers looking for pithy sayings, deeper understanding of the Chinese culture and a unique look at the Chinese language." -The Rapidian "Chinese Proverbs and Popular Sayings opens a diverting and useful window on Chinese language and culture." -Asian Review of Books This treasury of Chinese wisdom presents over five hundred proverbs while offering keys to culture and language. Here are both the familiar, earnest sayings of Confucius and Lao Zi ("The longest journey begins with a single step") and the homespun truths of every day ("Teachers open the door; you enter by yourself"). Designed both for inspirational browsing and for students of language and culture, the text is organized by subject (Learning, Patience, Money, Family, Food, etc.) and providescommentary plus Chinese characters andpinyin romanization for each entry. Includes an index. Qin Xue Herzberg andLarry Herzberg teach Chinese at Calvin College. They live in Grand Rapids, Michigan.