It has been decades since Michel Foucault urged us to rethink "the repressive hypothesis" and see new forms of sexual discourse as coming into being in the nineteenth century, yet the term "Victorian" still has largely negative connotations. LGBT Victorians argues for re-visiting the period'sthinking about gender and sexual identity at a time when our queer alliances are fraying. We think of those whose primary self-definition is in terms of sexuality (lesbians, gay men, bisexuals) and those for whom it is gender identity (intersex and transgender people, genderqueers) as simultaneouslyin coalition and distinct from each other, on the assumption that gender and sexuality are independent aspects of self-identification. Re-examining how the Victorians considered such identity categories to have produced and shaped each other can ground a more durable basis for strengthening ourpresent LGBTQ+ coalition.LGBT Victorians draws on scholarship reconsidering the significance of sexology and efforts to retrospectively discover transgender people in historical archives, particularly in the gap between what the nineteenth century termed the sodomite and the hermaphrodite. It highlights a broad range ofindividuals (including Anne Lister, and the defendants in the "Fanny and Stella" trial of the 1870s), key thinkers and activists (including Karl-Heinrich Ulrichs and Edward Carpenter), and writers such as Walt Whitman and John Addington Symonds to map the complicated landscape of gender andsexuality in the Victorian period. In the process, it decenters Oscar Wilde and his imprisonment from our historical understanding of sexual and gender nonconformity.
This book creatively redefines how teacher educators and faculty in secondary and post-secondary language education can become designers with intercultural education in mind. The author aligns theoretical frameworks with practical features for revising the modern language curriculum via themes and novel tasks that transfer language learning from classroom to community, developing communicative competence for mediation and learner autonomy along the way. For novice and experienced instructors alike, this book empowers them to: - design curriculum from transferable concepts that are worthy of understanding and have value within the culture(s) and to the learner; - develop assessments that ask the learner to solve problems, and create products that transfer concepts or address needs of various audiences that they will encounter in community, life, and work; - direct language learners through a spiral, articulated program that supports academic, career and personal goals. Pedagogical features include a glossary of key terms, research-to-practice boxes, scaffolded design tasks, reflection questions and template samples representing language exemplars from the following languages and cultures: Arabic, Chinese, Èdè Yorùbá, French, German, Hindi, Italian, Japanese, Korean, Ladino, Nahuatl, Portuguese, Russian, Spanish, Te Reo Maori and Urdu. The accompanying online resources offer blank templates, PowerPoints and guides for designing bespoke curricula with key performance assessments.
In The Dancer's Voice Rumya Sree Putcha theorizes how the Indian classical dancer performs the complex dynamics of transnational Indian womanhood. Putcha argues that the public persona of the Indian dancer has come to represent India in the global imagination--a representation that supports caste hierarchies and Hindu ethnonationalism, as well as white supremacist model minority narratives. Generations of Indian women have been encouraged to embody the archetype of the dancer, popularized through film cultures from the 1930s to the present. Through analyses of films, immigration and marriage laws, histories of caste and race, advertising campaigns, and her own family's heirlooms, photographs, and memories, Putcha reveals how women's citizenship is based on separating their voices from their bodies. In listening closely to and for the dancer's voice, she offers a new way to understand the intersections of body, voice, performance, caste, race, gender, and nation.
As Megan Volpert stood over train tracks preparing to surrender to the psychedelic blindness of simple human misery, of all the Heartbreakers tracks available to come through her headphones, "Straight Into Darkness" is the one that did. In this highly philosophical and deeply personal exploration of one obscure Tom Petty song, Volpert's essays comb through the musical, historical, rhetorical, and sociological implications of a forgotten gem in a legendary catalog with satisfying results. Through this epic celebration of the fortieth anniversary of the Long After Dark album, Petty and Volpert each emerge as modern mystics who argue that in the face of powerlessness, we rebel anyway. Volpert judges the forty years of Petty's career with one finger on the pulse of Bob Dylan and an occasional whiff of Bruce Springsteen, looking at the sometimes-violent mob scene of concerts as a type of transcendent communion. Straight Into Darkness offers a compelling vision of rock and roll fandom where the songwriter's hardworking sense of humor is enough to save us from absurdity. All you need is Albert Camus and a couple of chords.
At every stage of her career, Barbra Streisand's genius finds its fullest measure in screen song, first in Emmy-winning TV specials, then in Hollywood blockbusters from Funny Girl to Funny Lady. She goes on, as emerging auteur, to direct her own "musical concepts" in A Star Is Born-before reconceiving the big-screen musical altogether in the writing as well as directing of her own starring role in Yentl ("A Film with Music"). In this intensive reading of the "actress-who-sings," Garrett Stewart notes the gender and ethnic stereotypes that Streisand shattered as the first openly Jewish superstar, while concentrating not just on the cultural difference she made but on the internal differentials of her unholy vocal gift-whose kinetic volatility shapes a kind of cinematic terrain all its own. Down through her filmed return to the concert stage, Stewart elicits the sinuous phonetic text of Streisand's on-screen musical delivery in a keenly attentive mode of audition that puts into fresh perspective the indelible aura of her stardom.
Hear Me Now, Volume Two is a unique collection of over 80 original audition monologues, expressly created by a range of writers including Vera Chok, Josh-Susan Enright and Bea Webster, brought together by producer Titilola Dawudu and Tamasha Theatre Company. They are ideal for actors of colour searching for speeches for auditions or training, writers, teachers, and theatre-makers who are passionate about improving diversity. The volume is introduced by BAFTA-nominated actor Ashley Madekwe, and will also feature a section on Top Tips for auditioning from Tamasha and a host of actors, including Ted Lasso's Kevin 'KG' Garry and Cherrelle Skeete of Harry Potter and the Cursed Child. Following on from the successful first volume, and featuring a variety of themes, scenes and characters, Hear Me Now, Volume Two is an essential tool for actors of colour to showcase their range, and seeks to inspire, empower, and create a legacy for generations to come.
Prominent Dante scholars from the United States, Italy, and the United Kingdom contribute original essays to the first critical companion in English to Dante's "other works." Rather than speak of Dante's "minor works," according to a tradition of Dante scholarship going back at least to the eighteenth century, this volume puts forward the designation "other works" both in light of their enhanced status and as part of a general effort to reaffirm their value as autonomous works. Indeed, had Dante never written the Commedia, he would still be considered the most important writer of the late Middle Ages for the originality and inventiveness of the other works he wrote besides his monumental poem, including the Rime, the Fiore, the Detto d'amore, the Vita nova, the Epistles, the Convivio, the De vulgari eloquentia, the Monarchia, the Egloge, and the Questio de aqua et terra. Each contributor to this volume addresses one of the "other works" by presenting the principal interpretative trends and questions relating to the text, and by focusing on aspects of particular interest. Two essays on the relationship between the "other works" and the issues of philosophy and theology are included. Dante's "Other Works" will interest Dantisti, medievalists, and literary scholars at every stage of their career. Contributors: Manuele Gragnolati, Christopher Kleinhenz, Zygmunt G. Barański, Claire E. Honess, Simon Gilson, Mirko Tavoni, Paola Nasti, Theodore J. Cachey, Jr., David G. Lummus, Luca Bianchi, and Vittorio Montemaggi.
Despite the fact that most of jazz's major innovators and performers have been African American, the overwhelming majority of jazz journalists, critics, and authors have been and continue to be white men. No major mainstream jazz publication has ever had a black editor or publisher. Ain't But a Few of Us presents over two dozen candid dialogues with black jazz critics and journalists ranging from Greg Tate, Farah Jasmine Griffin, and Robin D. G. Kelley to Tammy Kernodle, Ron Welburn, and John Murph. They discuss the obstacles to access for black jazz journalists, outline how they contend with the world of jazz writing dominated by white men, and point out that these racial disparities are not confined to jazz but hamper their efforts at writing about other music genres as well. Ain't But a Few of Us also includes an anthology section, which reprints classic essays and articles from black writers and musicians such as LeRoi Jones, Archie Shepp, A. B. Spellman, and Herbie Nichols. Contributors Eric Arnold, Bridget Arnwine, Angelika Beener, Playthell Benjamin, Herb Boyd, Bill Brower, Jo Ann Cheatham, Karen Chilton, Janine Coveney, Marc Crawford, Stanley Crouch, Anthony Dean-Harris, Jordannah Elizabeth, Lofton Emenari III, Bill Francis, Barbara Gardner, Farah Jasmine Griffin, Jim Harrison, Eugene Holley Jr., Haybert Houston, Robin James, Willard Jenkins, Martin Johnson, LeRoi Jones, Robin D. G. Kelley, Tammy Kernodle, Steve Monroe, Rahsaan Clark Morris, John Murph, Herbie Nichols, Don Palmer, Bill Quinn, Guthrie P. Ramsey Jr., Ron Scott, Gene Seymour, Archie Shepp, Wayne Shorter, A. B. Spellman, Rex Stewart, Greg Tate, Billy Taylor, Greg Thomas, Robin Washington, Ron Welburn, Hollie West, K. Leander Williams, Ron Wynn
An unprecedented study of how Christianity reshaped Black South Africans' ideas about gender, sexuality, marriage, and family during the first half of the twentieth century. This book demonstrates that the primary affective force in the construction of modern Black intimate life in early twentieth-century South Africa was not the commonly cited influx of migrant workers but rather the spread of Christianity. During the late nineteenth and early twentieth centuries, African converts developed a new conception of intimate life, one that shaped ideas about sexuality, gender roles, and morality. Although the reshaping of Black intimacy occurred first among educated Africans who aspired to middle-class status, by the 1950s it included all Black Christians--60 percent of the Black South African population. In turn, certain Black traditions and customs were central to the acceptance of sexual modernity, which gained traction because it included practices such as lobola, in which a bridegroom demonstrates his gratitude by transferring property to his bride's family. While the ways of understanding intimacy that Christianity informed enjoyed broad appeal because they partially aligned with traditional ways, other individuals were drawn to how the new ideas broke with tradition. In either case, Natasha Erlank argues that what Black South Africans regard today as tradition has been unequivocally altered by Christianity. In asserting the paramount influence of Christianity on unfolding ideas about family, gender, and marriage in Black South Africa, Erlank challenges social historians who have attributed the key factor to be the migrant labor system. Erlank draws from a wide range of sources, including popular Black literature and the Black press, African church and mission archives, and records of the South African law courts, which she argues have been underutilized in histories of South Africa. The book is sure to attract historians and other scholars interested in the history of African Christianity, African families, sexuality, and the social history of law, especially colonial law.
Armed conflicts continue to wreak havoc on children and families around the world with profound effects. In 2017, 420 million children--nearly one in five--were living in conflict-affected areas, an increase in 30 million from the previous year. The recent surge in war-induced migration, referred to as a "global refugee crisis" has made migration a highly politicized issue, with refugee populations and host countries facing unique challenges. We know from research related to asylum seeking families that it is vital to think about children and families in relation to what it means to stay together, what it means for parents to be separated from their children, and the kinds of everyday tensions that emerge in living in dangerous, insecure, and precarious circumstances. In Global Child, the authors draw on what they have learned through their collaborative undertakings, and highlight the unique features of participatory, arts-based, and socio-ecological approaches to studying war-affected children and families, demonstrating the collective strength as well as the limitations and ethical implications of such research. Building on work across the Global South and the Global North, this book aims to deepen an understanding of their tri-pillared approach, and the potential of this methodology for contributing to improved practices in working with war-affected children and their families.
Drop the record needle on any vinyl album in your collection, then read the first pages of that novel you've been meaning to pick up--the reverberations between them will be impossible to miss. Since Dylan went electric, listening to rock 'n' roll has often been a surprisingly literary experience, and contemporary literature is curiously attuned to the history and beat of popular music. In The Ink in the Grooves, Florence Dore brings together a remarkable array of acclaimed novelists, musicians, and music writers to explore the provocatively creative relationship between musical and literary inspiration: the vitality that writers draw from a three-minute blast of guitars and the poetic insights that musicians find in literary works from Shakespeare to Southern Gothic. Together, the essays and interviews in The Ink in the Grooves provide a backstage pass to the creative processes behind some of the most exciting and influential albums and novels of our time. Contributors: Laura Cantrell, Michael Chabon, Roddy Doyle, Bob Dylan, Steve Earle, William Ferris, Dom Flemons, Rhiannon Giddens, Dave Grohl, Peter Guralnick, Amy Helm, Randall Kenan, Jonathan Lethem, Greil Marcus, Rick Moody, Lorrie Moore, the John Prine band (Dave Jacques, Fats Kaplin, Pat McLaughlin, Jason Wilber), Dana Spiotta, John Jeremiah Sullivan, Richard Thompson, Scott Timberg, Daniel Wallace, Colson Whitehead, Lucinda Williams, Warren Zanes.
International Student Support and Engagement in Higher Education examines innovative practices in campus, academic, and professional support services which serve the various and unique needs of international students seeking undergraduate and graduate degrees. Divided into three sections pertaining to campus, academic, and professional support services, the authors present case studies and original research that examine strategies for how institutions of higher education can operate to promote international student success beyond the classroom. The international range of contributors showcase research from across Canada, China, Indonesia, Malaysia, Russia, Senegal, Thailand, and the United States. Foregrounding support services with innovative and successful methods for collaborating with one another, the book crucially addresses how the myriad support services available on campuses can work together to support international students and foster a sense of belonging and connection, rather than maintaining a focus on acculturation. It examines the origins of these partnerships, asking whether the services are designed to support the international student community specifically, or to serve the student population more generally. Identifying new emerging trends and with a view to establishing a broad and global context for best practices in international student support, this book will appeal to faculty, researchers, scholars, and scholar-practitioners with interests in higher education, student support services, and international and comparative education.
Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. This volume gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence.
"Media Arabic provides advanced students of Arabic with a range of engaging texts on controversial and contemporary topics that reflect the current social and political environment in the Middle East. Divided into ten thematic modules, each module includes three units based on a selection of authentic newspaper articles that dive deep into topics as diverse as climate change, racism, and corruption. Each unit contains comprehension and discussion questions as well as vocabulary lists, translation exercises and creative writing exercises. Each topic also benefits from a curated selection of authentic news videos, which can be accessed at www.routledge.com/9781032044460. Ideal for use in Media Arabic courses, this book can also be used as a self-study resource for advanced level students"-- Provided by publisher.
"650 Idioms and Proverbial Phrases in Modern Standard Arabic is the ideal tool for learners of Arabic who wish to improve their knowledge and comprehension of Arabic language and culture and make their language more expressive and idiomatic. Including over 650 idiomatic expressions found in contemporary Arabic, this book is divided into two parts. Part I lists the idioms alphabetically for ease of use, providing English equivalents and a range of illustrative example sentences to show how the idioms are used in different contexts. The idioms are chosen based on frequency of use in written Arabic as well as oral speech, in Arabic literature and mass media. Part II includes 30 practice exercises structured around original texts which include the idioms covered in Part I. These practice exercises encourage students to review the meanings of idioms while improving their reading skills and familiarity with various text genres. Designed to be comprehensive, accurate and easy to use, the book reflects the daily use of Arabic and draws on real and authentic use of the language. Suitable for use as a textbook or reader, this is an ideal resource for students at CEFR level B1 to C2 or Intermediate-High to Advanced-High on the ACTFL proficiency scale"-- Provided by publisher.
"In this widely ranging collection of essays, a group of contemporary psychoanalyst/authors turn their finely-honed listening skills and clinical experience to plumb the depths and illuminate themes of character, drama, myth, culture, and psychobiography in some of the world's most beloved operas. The richly diverse chapters are unified by a psychoanalytic approach to the nuances of unconscious mental life and emotional experience as they unfold synergistically in opera's music, words, and drama. Opera creates a unique bridge between thought and feeling, mind and body, and conscious and unconscious that offers fertile ground for psychological exploration of profound human truths. Each piece is written in a colorful and non-technical manner that will appeal to mental health professionals, musicians, academics, and general readers wishing better to understand and appreciate opera as an art form"-- Provided by publisher.
A tale of mentorship, hard truths, and the path to success In this fictional account of an entrepreneur's rollercoaster ride to the top, Cap Treeger crafts a series of dynamic, well-drawn lessons for anyone that wants to start or build a business. The hero of the story, Ren, is fired up with ambition and has a strategic dream in place to build his own startup from the ground up, but he has a lot to learn about how this particular sector of the business world works. Fortunately, Ren has the guidance of generous and invested mentors, and their sound recommendations and warnings are chronicled as Ren makes decision after decision. With their advice, as well as his own encounters with trial and error, he discovers that who he chooses to employ and partner with, and how he engages with them, makes all the difference. Ren's journey guides readers through numerous factors necessary for success, including building a solid team with strategic placement of individuals in carefully selected roles appropriate to their skill sets and crafting the all-important business model. Ren navigates the daunting process with grace and hands readers an account loaded with insight-rendering Finding the Way, told in a straightforward and reader-friendly manner, a valuable gem amidst business-building literature.
The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan's lyrical postures might suggest a post-Romantic, "avant-garde" consciousness, No One to Meet shows that Dylan's creative process borrows from and creatively expands the methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan's previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan's musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan's songs and allows us to celebrate him as what he truly is: a great writer.
A modern epic about the most consequential music culture today, Atlanta rap--a masterful, street-level story of art, money, race, class, and salvation from acclaimed New York Times reporter Joe Coscarelli. From mansions to trap houses, office buildings to strip clubs, Atlanta is defined by its rap music. But this flashy and fast-paced world is rarely seen below surface-level as a collection not of superheroes and villains, cartoons and caricatures, but of flawed and inspired individuals all trying to get a piece of what everyone else seems to have. In artistic, commercial, and human terms, Atlanta rap represents the most consequential musical ecosystem of this century so far. Rap Capital tells the dramatic stories of the people who make it tick, and the city that made them that way. The lives of the artists driving the culture, from megastars like Lil Baby and Migos to lesser-known local strivers like Lil Reek and Marlo, represent the modern American dream but also an American nightmare, as young Black men and women wrestle generational curses, crippled school systems, incarceration, and racism on the way to an improbable destination atop art and commerce. Across Atlanta, rap dreams power countless overlapping economies, but they're also a gamble, one that could make a poor man rich or a poor man poorer, land someone in jail or keep them out of it. Drawing on years of reporting, more than a hundred interviews, dozens of hours in recording studios and on immersive ride-alongs, acclaimed New York Times reporter Joe Coscarelli weaves a cinematic tapestry of this singular American culture as it took over in the last decade, from the big names to the lesser-seen prospects, managers, grunt-workers, mothers, DJs, lawyers and dealers that are equally important to the industry. The result is a deeply human, era-defining book. Entertaining and profound, Rap Capital is an epic of art, money, race, class, and sometimes, salvation.
If China seems unstoppable, so too does its leader Xi Jinping. As General Secretary of the Chinese Communist Party and President of China, he commands over 1.4 billion people, in a vast country that spans the prosperous megacities of Beijing and Shanghai and desperately poor rural regions where families still struggle with malnutrition. Today, Xi Jinping faces a series of monumental challenges that would make other global leaders tremble: a trade war with the USA, political unrest in Hong Kong, accusations of genocide in Xinjiang, stuttering economic growth and a devastating global pandemic that originated inside China. But who is Xi Jinping and what does he really want? To rejuvenate China and bring economic prosperity to all its people? To challenge American supremacy and turn China into the world's dominant power? Avoiding both sycophantic flattery and outright condemnation, this new biography by Stefan Aust and Adrian Geiges gets inside the head of one of the world's most mysterious leaders. Skilfully unravelling the hidden story of Xi Jinping's life and career, from his early childhood to his rise to the pinnacles of the Party and the State, they flesh out his views and uncover how he became the most powerful man in the world. This biography of China's leader will be indispensable for anyone interested in China and where it is heading.
Dickens and Victorian Psychology: Introspection, First-Person Narration, and the Mind positions Charles Dickens's fiction in the midst of Victorian psychological debate, tracking Dickens's increasing reliance over the course of his career on the introspective mode, those moments--from free indirect discourse to first-person narration--in which Dickens attempts to represent the inner view of his characters' minds. In the middle of the nineteenth century, introspection remained the central investigative method for dualist psychologies, theories that tied the mind's immortality to its immateriality. Because those psychologies found evidence of the mind's ontological difference from the body in the subjective experience of consciousness, this book argues that the moments of inwardness in Dickens's fiction, in both their form and their content, constitute efforts to resist the encroachment of psycho-physiology by making a case for the mind's transcendence of the body. Yet Dickens and Victorian Psychology also shows the consequences of a material psychology's appropriation of such an inward view--as well as the results of the efforts by psycho-physiologists to redefine the terminology of a mainstream dualism--by tracing the ambiguities and contradictions that find their way into Dickens's representations of the mind. In these ways, this book reveals an overlooked context for Dickens's experiments with narrative point of view and broadens our understanding of the strategies that a material psychology used to assuage the anxieties of those who saw psycho-physiology as a threat to immortality.
A study of the revelatory and displacing effects of display in twentieth-century French literature. Spotlights ask spectators to desire or recoil from an object, yet they also transform the object into something unrecognizable. In Stolen Limelight, Margaret E. Gray traces these moments of illicit visibility through six twentieth-century French fictions, including canonical novels by Gide, Colette, Mauriac, and Duras as well as African Francophone writer Oyono and detective novelist Japrisot. Attentive to gendered tensions, Stolen Limelight teases out the displacing, destabilizing effects of display.
Featuring 100 stunning color photographs of queer, interracial couples taken by a renowned photographer for the New York Times Magazine, Time, Rolling Stone, and more, this incredible photo and story collection depicts modern love and relationships in all their joy, vulnerability, and affection. Throughout 2020 and 2021, during a time of intense personal and political upheaval, artist, advocate, and photographer Ryan Pfluger set out to capture intimate images of queer, interracial couples, along with personal insight into their relationships in today's world. Featured together for the first time in Holding Space, this unique collection of modern love in its many forms across the spectrum of race, sexuality, and gender identity and gives space to these couples to share short, revealing stories about their relationships. The photos in this collection, and the people in them, can be startling in their openness, playful in their poses, and tender to their core. Pfluger has captured the magic, honesty, and beauty of love in today's queer culture. With a Foreword by Janicza Bravo and an essay by Brandon Kyle Goodman
Music was everywhere in ancient Rome. Wherever one went in the sprawling city, the sound of singing and piping, drumming and strumming was never far out of earshot. This book examines the role of music in Roman politics and society, focusing on the period from the Roman conquest of Greece in the second century BCE to the end of the reign of Nero in 68 CE. Drawing on a wide range of literary texts, inscriptions and material artefacts, Harry Morgan uncovers the tensions between elite and popular attitudes towards music and shows how music was exploited as a tool by political leaders and emperors. Far from being a marginal aspect of daily life, music was fundamental to Roman political culture and social relations, shaping debates about class, gender and ethnicity. The book will be of interest to students and scholars of ancient music and Roman history.
Despite being a major figure of Haitian literature, Jean-Claude Charles (1949-2008) has received relatively little scholarly attention to date. The present volume seeks to serve as an introduction to the work and universe of this unique and capital writer to an English-language readership. The essays in the collection are organized along three major axes: contextual articles, placing Charles' work within the larger Haitian literary landscape, punctual articles, addressing specific themes in a selection of Charles' books, and author testimonials, attesting to Charles' work's importance both to his contemporaries and to a new generation of writers. With the ongoing republication of Charles' work by Mémoire d'encrier in Montreal, and the increasing interest in the author, the proposed volume is timely and necessary, and is in large part a critical accompaniment to the republishing programme. Described by Dany Laferrière as "most brilliant Haitian author of his generation," Charles has until recently remained largely unread and little understood. As the various chapters in the volume show, Charles is an author for now, and the collection will accompany readers seeking strikingly original insights on issues such as race, migration, and exile, and the role of the author and literature in times of crisis.
The Divine Comedy by Dante Alighieri is the story of a journey across the Universe as it was known in the Middle Ages, a work of science fiction ante litteram. Dante had an encyclopedic mind, no doubt, and his poem is the most widely read book after the Bible. He was a master of the astronomical knowledge of his time, and used astronomy in his work to indicate places, to measure time, and to exemplify beauty. Indeed, in the Convivio, he wrote that science is 'the ultimate perfection of our soul' and 'astronomy -- more than any other science -- is noble and high for a noble and high subject.'We propose a reading of the Divine Comedy through astronomy with a journey starting from the Earth, proceeding to the Moon, the planets, and to the outermost edges of the Universe. The way in which Dante connects ancient astronomy with modern conceptions of the cosmos will astonish readers more than 700 years later.
Want to be the next Andy Serkis as Gollum in Lord of the Rings? Or Zoe Saldana in Avatar? How about Seth MacFarlane in Ted? Or do you want to star in video games such as Fortnite, Call of Duty or Halo? If so, this book will tell you everything you need to know about acting for motion capture. This is the first book to provide an invaluable resource for the education of the next generation of performers in this exciting medium. Over the last 10 years, a revolution has occurred in digital production - video games have overtaken the film and TV industries in terms of production and revenues. Many video games derive their digital animation from human performance by means of motion and performance capture. Actors such as Andy Serkis and Troy Baker have won critical acclaim for their digital performance in games and film. The book includes contributions from practitioners working across the globe, including: actor Kezia Burrows; software developer Stéphane Dalbera; director Kate Saxon; a group of Japanese games directors; Jeremy Meunier, Head of Motion Capture at Moov studios, Montreal; Marc Morisseau, motion editor for Avatar; and a Chinese Motion Capture suit manufacturer.
Rimsky-Korsakov's Harmonic Theory is the first comprehensive study of his concept of harmony that also traces the history of tonal relationships. Larisa P. Jackson describes and examines Rimsky-Korsakov's distinctive harmonic theory using his Practical Manual of Harmony as a basis, and places it in historical context of nineteenth-century music theory. She explores in great detail a concept of tonal relationships, fundamental to Rimsky-Korsakov's view of harmony, and relates this to ideas by German theorists of the period and the Russian theoretical tradition. Jackson examines the concept of modulation and of the relationship of keys and presents a model of his tonal space/map extrapolated from his harmonic system. She identifies specific treatises that help to trace ties between German theoretical ideas and Rimsky-Korsakov's work. "This is a significant and interesting piece of research--it makes a noteworthy contribution to the history of music theory and to that of Russian music."--Richard Taruskin, author of The Oxford History of Western Music and On Russian Music
The definitive comprehensive and foundational text for critically analyzing and applying actionable DEI techniques and strategies, written by one of LinkedIn's most popular experts on DEI. The importance of diversity, equity, and inclusion in the workplace cannot be understated. But when half-baked and under-developed strategies are implemented, they often do more harm than good, leading the very constituents they aim to support to dismiss DEI entirely. DEI Deconstructed analyzes how current methods and "best practices" leave marginalized people feeling frustrated and unconvinced of their leaders' sincerity, and offers a roadmap that bridges the neatness of theory with the messiness of practice. Through embracing a pragmatic DEI approach drawing from cutting-edge research on organizational change, evidence-based practices, and incisive insights from a DEI strategist with experience working from the top-down and bottom-up alike, stakeholders at every level of an organization can become effective DEI changemakers. Nothing less than this is required to scale DEI from interpersonal teeth-pulling to true systemic change. By utilizing an outcome-oriented understanding of DEI, along with a comprehensive foundation of actionable techniques, this no-nonsense guide will lay out the path for anyone with any background to becoming a more effective DEI practitioner, ally, and leader.
The comprehensive critical biography of silent-screen star Marion Davies, who fittingly referred to herself as "the captain of my soul." From Marion Davies's humble days in Brooklyn to her rise to fame alongside press baron William Randolph Hearst, the public life story of the film star plays like a modern fairy tale shaped by gossip columnists, fan magazines, biopics, and documentaries. Yet the real Marion Davies remained largely hidden from view, as she was wary of interviews and trusted few with her true life story. In Captain of Her Soul, Lara Gabrielle pulls back layers of myth to show a complex and fiercely independent woman, ahead of her time, who carved her own path. Through meticulous research, unprecedented access to archives around the world, and interviews with those who knew Davies, Captain of Her Soul counters the public story. This book reveals a woman who navigated disability and social stigma to rise to the top of a young Hollywood dominated by powerful men. Davies took charge of her own career, negotiating with studio heads and establishing herself as a top-tier comedienne, but her proudest achievement was her philanthropy and advocacy for children. This biography brings Davies out of the shadows cast by the Hearst legacy, shedding light on a dynamic woman who lived life on her own terms and declared that she was "the captain of her soul."
Alison Cornish offers a compelling new take on the Commedia with modern sensibilities in mind. Believing in Dante re-examines the infernal dramas of Dante's masterpiece that alienate and perplex modern readers, offering an invigorating view of the whole Divine Comedy, bringing it to meaningful life today. Addressing the characteristics that distance an author like Dante from the modern world, Alison Cornish shows the value of critically and constructively engaging with texts that do not coincide with current worldviews. She thereby reveals how we might discover constellations by which to navigate the process of reading. Written with incisiveness and sophistication, this landmark book elucidates Dante's eminently readable universe: one where we can and must choose what we want to believe.
Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history.
"Winning, cheeky, and illuminating....What appears initially as a folly with a look-at-this cover and title becomes, thanks to Radke's intelligence and curiosity, something much meatier, entertaining, and wise." -The Washington Post "Lively and thorough, Butts is the best kind of nonfiction." --Esquire, Best Books of 2022 So Far A "carefully researched and reported work of cultural history" (The New York Times) that explores how one body part has come to mean so much--now one of the most anticipated books of 2022. Whether we love them or hate them, think they're sexy, think they're strange, consider them too big, too small, or anywhere in between, humans have a complicated relationship with butts. It is a body part unique to humans, critical to our evolution and survival, and yet it has come to signify so much more: sex, desire, comedy, shame. A woman's butt, in particular, is forever being assessed, criticized, and objectified, from anxious self-examinations trying on jeans in department store dressing rooms to enduring crass remarks while walking down a street or high school hallways. But why? In Butts: A Backstory, reporter, essayist, and RadioLab contributing editor Heather Radke is determined to find out. Spanning nearly two centuries, this "whip-smart" (Publishers Weekly, starred review) cultural history takes us from the performance halls of 19th-century London to the aerobics studios of the 1980s, the music video set of Sir Mix-a-Lot's "Baby Got Back" and the mountains of Arizona, where every year humans and horses race in a feat of gluteal endurance. Along the way, she meets evolutionary biologists who study how butts first developed; models whose measurements have defined jean sizing for millions of women; and the fitness gurus who created fads like "Buns of Steel." She also examines the central importance of race through figures like Sarah Bartmann, once known as the "Venus Hottentot," Josephine Baker, Jennifer Lopez, and other women of color whose butts have been idolized, envied, and despised. Part deep dive reportage, part personal journey, part cabinet of curiosities, Butts is an entertaining, illuminating, and thoughtful examination of why certain silhouettes come in and out of fashion--and how larger ideas about race, control, liberation, and power affect our most private feelings about ourselves and others.
A passionate and moving tribute to the captivating power of dance, not just as an art form but as a language that transcends barriers "[A] smart, bracing book of reflection, analysis, memoir and history."--Willard Spiegelman, Wall Street Journal "A veritable master class."--Anne Doventry, Booklist Mindy Aloff, a journalist, an essayist, and a dance critic, analyzes dance as the ultimate expression of human energy and feeling. From her personal anecdotes, her engaging collection of stories about dance from around the world, or her description of the captivating photograph by Helen Levitt of two children dancing, which she sees as one embodiment of the mystery and joy that dancing can evoke, Aloff's exploration of the aesthetic, social, and spiritual impacts of dance will prove spellbinding. Aloff takes us on a journey through various forms of dance--rituals, religious observances, storytelling, musical interpretations--to show why dance matters to human beings. Interlaced with personal experiences, this book builds on analysis to reveal the intimate relationship we have with dance--personal, spiritual, soul-searching, medicinal, and entertaining. The ideas speak to both specialist and general readers.
This volume in the Routledge Key Guides series provides a round-up of the fifty musicals whose creations were seminal in altering the landscape of musical theater discourse in the English-speaking world. Each entry summarises a show, including a full synopsis, discussion of the creators' process, show's critical reception, and its impact on the landscape of musical theater. This is the ideal primer for students of musical theater - its performance, history, and place in the modern theatrical world - as well as fans and lovers of musicals.
A MOST ANTICIPATED BOOK FROM: Oprah Daily, Business Insider, Marie Claire, The Seattle Times, Lit Hub, Bustle, and New York Magazine's Vulture Introduction by New York Times bestselling author Henry Louis Gates Jr. Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author. "One of the greatest writers of our time."--Toni Morrison You Don't Know Us Negroes is the quintessential gathering of provocative essays from one of the world's most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston's writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people's inner lives and culture rather than destroying it. She argues that in the process of surviving, Black people re-interpreted every aspect of American culture--"modif[ying] the language, mode of food preparation, practice of medicine, and most certainly religion." White supremacy prevents the world from seeing or completely recognizing Black people in their full humanity and Hurston made it her job to lift the veil and reveal the heart and soul of the race. These pages reflect Hurston as the controversial figure she was--someone who stated that feminism is a mirage and that the integration of schools did not necessarily improve the education of Black students. Also covered is the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing her lover, a white doctor. Demonstrating the breadth of this revered and influential writer's work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer's development and a window into her world and mind.
Over the last five decades, Black women have been one of the fastest-growing segments of the global prison population, thanks to changes in policies that mandate incarceration for nonviolent offenses and criminalize what women do to survive interpersonal and state violence. In The Healing Stage, Lisa Biggs reveals how four ensembles of currently and formerly incarcerated women and their collaborating artists use theater and performance to challenge harmful policies and popular discourses that justify locking up "bad" women. Focusing on prison-based arts programs in the US and South Africa, Biggs illustrates how Black feminist cultural traditions--theater, dance, storytelling, poetry, humor, and protest--enable women to investigate the root causes of crime and refute dominant narratives about incarcerated women. In doing so, the arts initiatives that she writes about encourage individual and collective healing, a process of repair that exceeds state definitions of rehabilitation. These case studies offer powerful examples of how the labor of incarcerated Black women artists--some of the most marginalized and vulnerable people in our society--radically extends our knowledge of prison arts programs and our understanding of what is required to resolve human conflicts and protect women's lives.
A stunning musical biography of Stevie Nicks that paints a portrait of an artist, not a caricature of a superstar. Reflective and expansive, Mirror in the Sky situates Stevie Nicks as one of the finest songwriters of the twentieth century. This biography from distinguished music historian Simon Morrison examines Nicks as a singer and songwriter before and beyond her career with Fleetwood Mac, from the Arizona landscape of her childhood to the strobe-lit Night of 1000 Stevies celebrations. The book uniquely: Analyzes Nicks's craft--the grain of her voice, the poetry of her lyrics, the melodic and harmonic syntax of her songs. Identifies the American folk and country influences on her musical imagination that place her within a distinctly American tradition of women songwriters. Draws from oral histories and surprising archival discoveries to connect Nicks's story to those of California's above- and underground music industries, innovations in recording technology, and gendered restrictions.
* Showcases an exploration of monstrosity in performance through key themes including race, gender and sexuality, disability studies * Interdisciplinary book that will be relevant to students and scholars from many backgrounds including Theatre and Performance, Cultural Studies, Gender Studies, Disability Studies * Uniquely international approach to the study of monstrosity which sets it apart from other books whose focus are more Eurocentric/Western
Maya Rao, performer, performance maker and feminist, has not only contributed to Indian feminist theatre, but is a trailblazer, who set new standards in solo performances, mapped an alternate career trajectory for women in theatre and, in the face of right-wing state repression in India, has engaged significantly in performance activism. This Element looks back at her early career in the 1980s when she was creating agit prop theatre for the feminist movement and forward to her performance activism in the twenty-first century, with detailed attention to Rao's acclaimed protest Walk, and her participation in the protests against the Citizenship Amendment Act. The study also encompasses her parallel work in the theatre, from early collaborations with feminist directors to her solo projects. The author traces her creative-political journey towards an egalitarian feminist future.
Innovating the Design Process: A Theatre Design Journey explores the process of designing for theatre and details how each part of a designer's own process, no matter what their design specialization, can be innovated and adapted for a more confident journey and for better outcomes. The book observes and deconstructs the processes used by theatre designers, uncovers and explains the structure and concepts behind those processes and shows how they can be easily reassembled for better results and to meet different situations. It uses innovative real-world practical examples from all the fields of theatre design taken from shows throughout the author's career. The processes covered in this book are split into two sections - design development and design implementation - with an additional chapter covering design presentations. Written in an engaging and informative style, this text opens up a designer's ability to innovate within the design process to optimize reproducibility, resilience, personal fit, confidence, collaboration and audience engagement. Innovating the Design Process is a next level book for both MFA theatre design students and early career professionals who wish to develop their craft further. Seasoned professionals will also find within its pages concepts to reinvigorate their own design process. The book includes access to an online guide to using Microsoft Word for Mac to mirror content in two separate documents.
Turn On, Tune In, Drift Off: Ambient Music's Psychedelic Past rethinks the history and socioaesthetics of ambient music as a popular genre with roots in the psychedelic countercultures of the late twentieth century. Victor Szabo reveals how anglophone audio producers and DJs between the mid-1960s and century's end commodified drone- and loop-based records as "ambient audio": slow, spare, spacious audio sold as artful personal media for creating atmosphere, fostering contemplation, transforming awareness, and stilling the body. The book takes a trip through landmark ambient audio productions and related discourses, including marketing rhetoric, artist manifestos and interviews, and music criticism, that during this time plotted the conventions of what became known as ambient music. These productions include nature sounds records, experimental avant-garde pieces, "space music" radio, psychedelic and cosmic rock albums, electronic dance music compilations, and of course, explicitly "ambient" music, all of which popularized ambient audio through vivid atmospheric concepts. In paying special attention to the sound of ambient audio; to ambient audio's relationship with the psychedelic, New Age, and rave countercultures of the US and UK; and to the coincident evolution of therapeutic audio and "head music" across alternative media and independent music markets, this history resituates ambient music as a hip highbrow framing and stylization of ongoing practices in crafting audio to alter consciousness, comportment, and mood. In so doing, Turn On, Tune In, Drift Off illuminates the social and aesthetic rifts and alliances informing one of today's most popular musical experimentalisms.
There was much uncertainty about how voice related to body in the early eighteenth century, and this became a major subject of scientific and cultural interest. In Voices from Beyond, Scott Sanders provides an interdisciplinary and transnational study of eighteenth-century conceptions of the human voice. His book examines the diversity of thought about vocal materiality and its roles in philosophical and literary works from the period, uncovering representations of the voice that intertwine physiology with physics, music with moral philosophy, and literary description with performance. Voices from Beyond focuses on the voice as it was constructed in French works, influenced by French vocal sciences as well as British literary and philosophical texts. It considers the writing of Jean-Jacques Rousseau, Denis Diderot, François Baculard d'Arnaud, and Jacques Cazotte in particular, and explores how their texts theorize, represent, and construct three interrelated vocal types: the sentimental, the vitalist, and the uncanny. These authors represented the human voice as an intersectional organ with implications for one's emotional disposition, physical health, cultural identity, gender, and sexuality. Sanders argues that while the conception of sentimental and vitalist voices was anchored to a physiological understanding of vocal organs, this paradoxically led to the development of a disembodied, uncanny voice--one that could imitate the sounds of a good moral fiber while masking a monstrous physiology.
Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Harry R. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture.
How do the writings of Verlaine, Baudelaire, and Mallarmé speak to our time? Why should we continue to read these poets today? How might a contemporary reading of their poetry differ from readings delivered in previous centuries? Twenty-First-Century Symbolism argues that Verlaine, Baudelaire, and Mallarmé prefigure a view of human subjectivity that is appropriate for our times: we cannot be separated from the worlds in which we live and evolve; human beings both mediate and are mediations of the environments we traverse and that traverse us, whether these are natural, urban, linguistic, or technological environments. The ambition of the book is therefore twofold: on the one hand, it aims to offer new readings of the three poets, demonstrating their continued relevance for contemporary debates, putting them into dialogue with a philosophical corpus that has not yet played a role in the study of nineteenth century French poetry; on the other, the book relies on the three poets to establish an understanding of human subjectivity that is in tune with our twenty-first century concerns.
"Charlayne Hunter-Gault is an eminent Dean of American journalism, a vital voice whose work chronicled the civil rights movement and so much of what has transpired since then. My People is the definitive collection of her reportage and commentary. Spanning datelines in the American South, South Africa and points scattered in between, her work constitutes a history of our time as rendered by the pen of a singular and indispensable black woman journalist."-Jelani Cobb From the legendary Emmy Award-winning journalist, a collection of ground-breaking reportage from across five decades which vividly chronicles the experience of Black life in America today. At just eighteen years old,Charlayne Hunter-Gault made national news when she mounted a successful legal challenge that culminated in her admission to the University of Georgia in January 1961--making her one of the first two Black students to integrate the institution. As an adult, Charlayne switched from being the subject of news to covering it, becoming one of its most recognized and acclaimed interpreters. Over more than five decades, this dedicated reporter charted a course through some of the world's most respected journalistic institutions, including The New Yorker and the New York Times, where she was often the only Black woman in the newsroom. Throughout her storied career, Charlayne has chronicled the lives of Black people in America--shining a light on their experiences and giving a glimpse into their community as never before. Though she has covered numerous topics and events, observed as a whole, her work reveals the evolving issues at the forefront of Black Americans lives and how many of the same issues continue to persist today. My People showcases Charlayne's lifelong commitment to reporting on Black people in their totality, "in ways that are recognizable to themselves." Spanning from the Civil Rights Movement through the election and inauguration of America's first Black president and beyond, this invaluable collection shows the breadth and nuance of the Black experience through trials, tragedies, and triumphs of everyday lives.
In Spring 1938, an Indian dancer named Ram Gopal and an American writer-photographer named Carl Van Vechten came together for a photoshoot in New York City. Ram Gopal was a pioneer of classical Indian dance and Van Vechten was reputed as a prominent white patron of the African-American movement called the Harlem Renaissance. Photo-Attractions describes the interpersonal desires and expectations of the two men that took shape when the dancer took pose in exotic costumes in front of Van Vechten's Leica camera. The spectacular images provide a rare and compelling record of an underrepresented history of transcultural exchanges during the interwar years of early-20th century, made briefly visible through photography. Art historian Ajay Sinha uses these hitherto unpublished photographs and archival research to raise provocative and important questions about photographic technology, colonial histories, race, sexuality and transcultural desires. Challenging the assumption that Gopal was merely objectified by Van Vechten's Orientalist gaze, he explores the ways in which the Indian dancer co-authored the photos. In Sinha's reading, Van Vechten's New York studio becomes a promiscuous contact zone between world cultures, where a "photo-erotic" triangle is formed between the American photographer, Indian dancer, and German camera. A groundbreaking study of global modernity, Photo-Attractions brings scholarship on American photography, literature, race and sexual economies into conversation with work on South Asian visual culture, dance, and gender. In these remarkable historical documents, it locates the pleasure taken in cultural difference that still resonates today.
National Bestseller * One of the year's most acclaimed works of nonfiction A BEST BOOK OF THE YEAR: New York Times, Washington Post, New Yorker, Chicago Tribune, Kirkus, New York Post, Fast Company From legendary historian Adam Hochschild, a "masterly" (New York Times) reassessment of the overlooked but startlingly resonant period between World War I and the Roaring Twenties, when the foundations of American democracy were threatened by war, pandemic, and violence fueled by battles over race, immigration, and the rights of labor The nation was on the brink. Mobs burned Black churches to the ground. Courts threw thousands of people into prison for opinions they voiced--in one notable case, only in private. Self-appointed vigilantes executed tens of thousands of citizens' arrests. Some seventy-five newspapers and magazines were banned from the mail and forced to close. When the government stepped in, it was often to fan the flames. This was America during and after the Great War: a brief but appalling era blighted by lynchings, censorship, and the sadistic, sometimes fatal abuse of conscientious objectors in military prisons--a time whose toxic currents of racism, nativism, red-baiting, and contempt for the rule of law then flowed directly through the intervening decades to poison our own. It was a tumultuous period defined by a diverse and colorful cast of characters, some of whom fueled the injustice while others fought against it: from the sphinxlike Woodrow Wilson, to the fiery antiwar advocates Kate Richards O'Hare and Emma Goldman, to labor champion Eugene Debs, to a little-known but ambitious bureaucrat named J. Edgar Hoover, and to an outspoken leftwing agitator--who was in fact Hoover's star undercover agent. It is a time that we have mostly forgotten about, until now. In American Midnight, award-winning historian Adam Hochschild brings alive the horrifying yet inspiring four years following the U.S. entry into the First World War, spotlighting forgotten repression while celebrating an unforgettable set of Americans who strove to fix their fractured country--and showing how their struggles still guide us today.
Selected as one of '100 Notable African Books of 2022' in Brittle Paper A leading African political philosopher's searing intellectual and moral critique of today's decolonisation movement. Decolonisation has lost its way. Originally a struggle to escape the West's direct political and economic control, it has become a catch-all idea, often for performing 'morality' or 'authenticity'; it suffocates African thought and denies African agency. Olúfemi Táíwò fiercely rejects the indiscriminate application of 'decolonisation' to everything from literature, language and philosophy to sociology, psychology and medicine. He argues that the decolonisation industry, obsessed with cataloguing wrongs, is seriously harming scholarship on and in Africa. He finds 'decolonisation' of culture intellectually unsound and wholly unrealistic, conflating modernity with coloniality, and groundlessly advocating an open-ended undoing of global society's foundations. Worst of all, today's movement attacks its own cause: 'decolonisers' themselves are disregarding, infantilising and imposing values on contemporary African thinkers. This powerful, much-needed intervention questions whether today's 'decolonisation' truly serves African empowerment. Táíwò's is a bold challenge to respect African intellectuals as innovative adaptors, appropriators and synthesisers of ideas they have always seen as universally relevant.
A RECOMMENDED READ FROM: The Washington Post * Atlanta Journal-Constitution * CrimeReads * Library Journal A gripping, radically intimate debut novel about a group of enslaved women staging a covert rebellion against their owners On a struggling Texas plantation, six enslaved women slip from their sleeping quarters and gather in the woods under the cover of night. The Lucys--as they call the plantation owners, after Lucifer himself--have decided to turn around the farm's bleak financial prospects by making the women bear children. They have hired a "stockman" to impregnate them. But the women are determined to protect themselves. Now each of the six faces a choice. Nan, the doctoring woman, has brought a sack of cotton root clippings that can stave off children when chewed daily. If they all take part, the Lucys may give up and send the stockman away. But a pregnancy for any of them will only encourage the Lucys further. And should their plan be discovered, the consequences will be severe. Visceral and arresting, Night Wherever We Go illuminates each woman's individual trials and desires while painting a subversive portrait of collective defiance. Unflinching in her portrayal of America's gravest injustices, while also deeply attentive to the transcendence, love, and solidarity of women whose interior lives have been underexplored, Tracey Rose Peyton creates a story of unforgettable power.
In Courtly and Queer, Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres' juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their "courtliness"--namely, their literary sophistication--powerfully overlaps with modern conceptions of queerness.
This title provides a broad overview of how women are portrayed and treated in America's news and entertainment industries, including film, television, radio, the internet, and social media. This book provides a one-stop resource for understanding the participation and representation of women in the U.S. media in such areas as narrative film, scripted television programming, advertising, video games, news, and sports. Coverage is wide-ranging and comprehensive, covering historical developments and trends as well as such relevant issues as gender disparities in pay and advancement opportunities, stereotypical gender portrayals in popular entertainment, sexual harassment in America's media and entertainment industries, and the dearth of positive media representations of women of color. Engaging with this history and reading about current issues related to this topic will be useful to those interested in understanding more about why women's engagement in media--in such roles as performer, journalist, producer, and writer--is important. It will also help readers better understand how and why problematic media representations of women hinder efforts to achieve full gender equality in American society. Provides readers with an understanding of the history of women's representation in developing and contemporary media industries Highlights and discusses current issues related to women's representation in media forms Offers perspectives from a variety of writers on specific elements of women's representation and professional prospects in American media industries Profiles accomplished women who have impacted media industries in meaningful ways
This book, the first in an exciting new series, provides speech and language therapy students and newly qualified and beginning stammering specialists with 100 key points that will help form a strong foundation for their work supporting adults and teenagers who stammer. Composed of practical, relevant and useful advice from an experienced clinician, chapters break advice down into sections which include information about the therapeutic relationship, therapeutic approaches and signposts to further resources. Throughout the book, comments from stammering specialists describe what they wish they had known at the start of their careers. This book: Puts the person who stammers at the heart of therapy, following the clinical choices they might make Is written in an accessible style, designed to be dipped in and out of as required Draws on the experience of therapists working with those who stammer Full of advice and guidance to support effective practice, this is an essential resource for anybody new to this client group.
For players, coaches, writers, and fans, basketball is a science and an art, a religious sacrament, a source of entertainment, and a way of interacting with the world. In Lost in the Game Thomas Beller entwines these threads with his lifetime's experience as a player and journalist, roaming NBA locker rooms and city parks as a basketball flaneur in search of the meaning of the modern game. He captures the magnificence and mastery of today's most accomplished NBA players while paying homage to the devotion of countless congregants in the global church of pickup basketball. He shares his own stories from the courts, meditating on basketball's role in city life and its impact on the athlete's psyche as he moves from youth to middle age. Part journalistic account, part memoir of a slightly talented player whose main gift is being tall, Lost in the Game charts the game's inexorable gravitational hold on those who love it.
Storytelling in Sixteenth-Century France is an innovative, interdisciplinary examination of parallels between the early modern era and the world in which we live today. Readers are invited to look to the past to see how then, as now, people turned to storytelling to integrate and adapt to rapid social change, to reinforce or restructure community, to sell new ideas, and to refashion the past. This collection explores different modalities of storytelling in sixteenth-century France and emphasizes shared techniques and themes rather than attempting to define narrow kinds of narrative categories. Through studies of storytelling in tapestries, stone, and music as well as distinct genres of historical, professional, and literary writing (addressing both erudite and more common readers), the contributors to this collection evoke a society in transition, wherein traditional techniques and materials were manipulated to express new realities. Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.
While popular trends, cuisine, and long-standing political tension have made Korea familiar in some ways to a vast English-speaking world, its recorded history of some two millennia remains unfamiliar to most. Korea: A History addresses general readers, providing an up-to-date, accessible overview of Korean history from antiquity to the present. Eugene Y. Park draws on original-language sources and the up-to-date synthesis of East Asian and Western-language scholarship to provide an insightful account. This book expands still-limited English-language discussions on pre-modern Korea, offering rigorous and compelling analyses of Korea's modernization while discussing daily life, ethnic minorities, LGBTQ history, and North Korean history not always included in Korea surveys. Overall, Park is able to break new ground on questions and debates that have been central to the field of Korean studies since its inception.
A journalist and author of The Influence of Soros examines the history of Jewish people in America and explores their ever-evolving relationship to the nation's culture and identity--and each other. What does it mean to be a Bad Jew? Many Jews use the term "Bad Jew" as a weapon against other members of the community or even against themselves. You can be called a Bad Jew if you don't keep kosher; if you only go to temple on Yom Kippur; if you don't attend or send your children to Hebrew school; if you enjoy Christmas music; if your partner isn't Jewish; if you don't call your mother often enough. The list is endless. In Bad Jews, Emily Tamkin argues that perhaps there is no answer to this timeless question at all. Throughout American history, Jewish identities have evolved and transformed in a variety of ways. The issue of what it means, or doesn't, to be a Good Jew or a Bad Jew is particularly fraught at this moment, American Jews feel and fear antisemitism is on the rise.. There are several million people who identify as American Jews--but that doesn't mean they all identify with one another. American Jewish history is full of discussions and debates and hand wringing over who is Jewish, how to be Jewish, and what it means to be Jewish. In Bad Jews, Emily Tamkin examines the last 100 years of American Jewish politics, culture, identities, and arguments. Drawing on over 150 interviews, she tracks the evolution of Jewishness throughout American history, and explores many of the evolving and conflicting Jewish positions on assimilation; race; Zionism and Israel; affluence and poverty, philanthropy, finance, politics; and social justice. From this complex and nuanced history, Tamkin pinpoints perhaps the one truth about American Jewish identity: It is always changing.
"Illuminating." --The Washington Post * "Candid and relatable." --Time *"Riveting and personal." --Mindy Kaling * "Captivatingly immediate." --The Skimm * A "poignant, frank, and intimate" (The New York Times) memoir by actress Constance Wu about family, love, sex, shame, trauma, and how she found her voice. Growing up in the friendly suburbs of Richmond, Virginia, Constance Wu was often scolded for having big feelings or strong reactions. "Good girls don't make scenes," people warned her. And while she spent most of her childhood suppressing her bold, emotional nature, she found an early outlet in community theater--it was the one place where big feelings were okay--were good, even. Acting became her refuge, and eventually her vocation. At eighteen she moved to New York, where she'd spend the next ten years of her life auditioning, waiting tables, and struggling to make rent before her two big breaks: the TV sitcom Fresh Off the Boat and the hit film Crazy Rich Asians. Here Constance shares private memories of childhood, young love and heartbreak, sexual assault and harassment, and how she "made it" in Hollywood. Raw, relatable, and enthralling, Making a Scene is an intimate portrait of the pressures and pleasures of existing in today's world.
An intimate memoir from international pop star Melanie Chisholm--better known as Mel C. or Sporty Spice--chronicling her trajectory from small-town girl to overnight icon as part of the Spice Girls. 25 years ago, The Spice Girls, a girl band that began after five women answered an ad in the paper, released their first single. 'Wannabe' became a hit and from that moment and, almost overnight, Melanie Chisholm went from small town girl to Sporty Spice, part of one of the biggest music groups in history. Beginning in her bedroom in the north-west of England dreaming of performing on stage, THE SPORTY ONE follows the meteoric rise of the Melanie and The Spice Girls, from the incredible highs of becoming one of the world's most recognizable popstars - playing at Wembley, conquering the BRITs, closing the Olympics - to the difficult lows. For the first time ever, Melanie talks about the pressures of fame, the shaming and bullying she experienced, the struggles she has had with her body image and mental health, and the difficulty of finding yourself when the whole world knows your name. THE SPORTY ONE is an incredible story of resilience, hope and how you can find your power.
The Moog synthesizer "bent the course of music forever" Rolling Stone declared. Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation---suddenly everyone wanted a Moog. The Beatles, The Doors, The Byrds, and Stevie Wonder discovered his synthesizer, and it came to be featured in seminal film scores including Apocalypse Now and A Clockwork Orange. The Moog's game-changing sounds saturated 60's counterculture and burst into the disco party in the 70's to set off the electronic dance music movement. Bob had singlehandedly founded the synth industry and become a star in the process. But he was also going broke. Imitators copied his technology, the musicians' union accused him of replacing live players, and Japanese competitors started overtaking his work. He struggled to hang on to his inventions, his business, and his very name. Bob's story upends our notions of success and wealth, showing that the two don't always go together. In Switched On, author Albert Glinsky draws on exclusive access to Bob Moog's personal archives and his probing interviews with Bob's family and a multitude of associates, for this first complete biography of the man and his work. Switched On takes the reader on a roller coaster ride at turns triumphant, heart-breaking, and frequently laugh out loud absurd---a nuanced trip through the public and private worlds of this legendary inventor who altered the course of music.
NEW YORK TIMES BEST SELLER * The raw, candid, unvarnished memoir of an American icon. The greatest movie star of the past 75 years covers everything: his traumatic childhood, his career, his drinking, his thoughts on Marlon Brando, James Dean, Elizabeth Taylor, John Huston, his greatest roles, acting, his intimate life with Joanne Woodward, his innermost fears and passions and joys. With thoughts/comments throughout from Joanne Woodward, George Roy Hill, Tom Cruise, Elia Kazan and many others. A TIME BEST BOOK OF THE YEAR "Newman at his best...with his self-aware persona, storied marriage and generous charitable activities...this rich book somehow imbues his characters' pain and joy with fresh technicolor." --The Wall Street Journal In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman's family and friends and those who worked closely with him, talk about the actor's life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. That same stipulation applied to Newman himself. The project lasted five years. The result is an extraordinary memoir, culled from thousands of pages of transcripts. The book is insightful, revealing, surprising. Newman's voice is powerful, sometimes funny, sometimes painful, always meeting that high standard of searing honesty. The additional voices--from childhood friends and Navy buddies, from family members and film and theater collaborators such as Tom Cruise, George Roy Hill, Martin Ritt, and John Huston--that run throughout add richness and color and context to the story Newman is telling. Newman's often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Marlon Brando and James Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward--their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually. The Extraordinary Life of an Ordinary Man is revelatory and introspective, personal and analytical, loving and tender in some places, always complex and profound.
Locked away in refrigerated vaults, sanitized by gas chambers, and secured within bombproof caverns deep under mountains are America's most prized materials: the ever-expanding collection of records that now accompany each of us from birth to death. This data complex backs up and protects our most vital information against decay and destruction, and yet it binds us to corporate and government institutions whose power is also preserved in its bunkers, infrastructures, and sterilized spaces. We the Dead traces the emergence of the data complex in the early twentieth century and guides readers through its expansion in a series of moments when Americans thought they were living just before the end of the world. Depression-era eugenicists feared racial contamination and the downfall of the white American family, while contemporary technologists seek ever denser and more durable materials for storing data, from microetched metal discs to cryptocurrency keys encoded in synthetic DNA. Artfully written and packed with provocative ideas, this haunting book illuminates the dark places of the data complex and the ways it increasingly blurs the lines between human and machine, biological body and data body, life and digital afterlife.
How organizations developed in history, how they operate, and how research on them has evolved Organizations are all around us: government agencies, multinational corporations, social-movement organizations, religious congregations, scientific bodies, sports teams, and more. Immensely powerful, they shape all social, economic, political, and cultural life, and are critical for the planning and coordination of every activity from manufacturing cardboard boxes to synthesizing new drugs and reducing greenhouse gas emissions. To understand our world, we must understand organizations. The Power of Organizations defines the features of organizations, examines how they operate, traces their rise over the course of a millennium, and explains how research on organizations has evolved from the mid-nineteenth century to today. Heather Haveman shows how almost all contemporary research on organizations fits into three general perspectives: demographic, relational, and cultural. She offers constructive criticism of existing research, showing how it can be remade to be both more interesting and influential. She examines how we can use existing theories to understand the changes wrought by digital technologies, and she argues that organizational scholars can and should alter the impact that organizations have on society, particularly societal and global inequality, formal politics, and environmental degradation. The Power of Organizations demonstrates the benefits and dangers of these ubiquitous foundations of modern society.
Writing is omnipresent in our lives, yet we too rarely stop and consider its history, tools, technologies, and mythologies. This volume introduces student readers to the development of writing across time and societies. The book incorporates autoethnography and asks readers to consider writing histories, influences, processes, and tools in their own lives. Short readings and writing exercises are included for each chapter, and illuminating visual images are incorporated throughout. Designed for composition courses with a Writing about Writing focus or courses in writing studies, A Writing Studies Primeris a unique introduction to writing through its material culture.
Prestige Television explores how a growing array of 21st century US programming is produced and received in ways that elevate select series above the competition in a saturated market. Contributing authors demonstrate that these shows are positioned and understood as comprising an increasingly recognizable genre characterized by familiar markers of distinction. In contrast to most accounts of elite categorizations of contemporary US television programming that center on HBO and its primary streaming rivals, these essays examine how efforts to imbue series with prestigious or elevated status now permeate the rest of the medium, including network as well as basic and undervalued premium cable channels. Case study chapters focusing on diverse series, ranging from widely recognized examples such as The Americans (2013-2018) and The Knick (2014-15) to contested examples like Queen of the South (2016-2021) and How I Met Your Mother (2005-2014), highlight how contributing authors extend conceptions of the genre beyond expected parameters.
Analyzes how American Muslim women assert themselves as religious actors in the US and beyond, using the Qur'an as a tool for social justice and community building The Women's Mosque of America (WMA), a multiracial, women-only mosque in Los Angeles, is the first of its kind in the United States. Since 2015, the WMA has provided a space for Muslim women to build inclusive communities committed to gender and social justice, challenging the dominant mosque culture that has historically marginalized them through inadequate prayer spaces, exclusion from leadership, and limited access to religious learning. Tazeen M. Ali explores this congregation, focusing on how members contest established patriarchal norms while simultaneously contending with domestic and global Islamophobia that renders their communities vulnerable to violence. Drawing on textual analysis of WMA sermons and ethnographic interviews with community members, and utilizing Black feminist and womanist frameworks, Ali investigates how American Muslim women create and authorize new conceptions of Islamic authority. Whereas the established model of Islamic authority is rooted in formal religious training and Arabic language expertise, the WMA is predicated on women's embodied experiences, commitments to social and racial justice, English interpretations of the Qur'an, and community building across Islamic sects and in an interfaith context. Situating the US at the center rather than at the margins of debates over Islamic authority and showing how American Muslim women assert themselves as meaningful religious actors in the US and beyond, Ali's work offers new insights on Islamic authority as it relates to the intersections of gender, religious space, and national belonging.
What does it mean to be Latinx? This pressing question forms the core of Latinx Belonging, which brings together cutting-edge research to discuss the multilayered ways this might be answered. Latinx Belonging is anchored in the claim that Latinx people are not defined by their marginalization but should instead be understood as active participants in their communities and contributors to U.S. society. The volume's overarching analytical approach recognizes the differences, identities, and divisions among people of Latin American origin in the United States, while also attending to the power of mainstream institutions to shape their lives and identities. Contributors to this volume view "belonging" as actively produced through struggle, survival, agency, resilience, and engagement. This work positions Latinxs' struggles for recognition and inclusion as squarely located within intersecting power structures of gender, race, sexuality, and class and as shaped by state-level and transnational forces such as U.S. immigration policies and histories of colonialism. From the case of Latinxs' struggles for recognition in the arts, to queer Latinx community resilience during COVID-19 and in the wake of mass shootings, to Indigenous youth's endurance and survival as unaccompanied minors in Los Angeles, the case studies featured in this collection present a rich and textured picture of the diversity of the U.S. Latinx experience in the twenty-first century. Contributors Andrés Acosta Jack "Trey" Allen Jennifer Bickham Mendez Stephanie L. Canizales Christopher Cuevas Natalia Deeb-Sossa Yvette G. Flores Melanie Jones Gast Monika Gosin Pierrette Hondagneu-Sotelo Nolan Kline Verónica Montes Yvonne Montoya Michael De Anda Muñiz Suzanne Oboler Gilda L. Ochoa Dina G. Okamoto Marco Antonio Quiroga Michelle Téllez
In On the Inconvenience of Other People Lauren Berlant continues to explore our affective engagement with the world. Berlant focuses on the encounter with and the desire for the bother of other people and objects, showing that to be driven toward attachment is to desire to be inconvenienced. Drawing on a range of sources, including Last Tango in Paris, Ralph Waldo Emerson, Claudia Rankine, Christopher Isherwood, Bhanu Kapil, the Occupy movement, and resistance to anti-Black state violence, Berlant poses inconvenience as an affective relation and considers how we might loosen our attachments in ways that allow us to build new forms of life. Collecting strategies for breaking apart a world in need of disturbing, the book's experiments in thought and writing cement Berlant's status as one of the most inventive and influential thinkers of our time.
Contemporary Issues in Evaluating Treatment in Neurodevelopmental Disorders, Volume 62 in the International Review of Research in Developmental Disabilities series, highlights new advances in the field, with this new volume presenting interesting chapters on topics such as Considerations for measuring individual outcomes across contexts in Down syndrome: Implications for research and clinical trials, Remotely Monitoring Development and Treatment Outcomes in Families affected by IDD, Psychometric perspectives on developmental outcome and endpoint selection in treatment trials for genetic conditions associated with neurodevelopmental disorder, Evaluating Outcomes within Culturally Diverse Contexts for Children and Youth with Developmental Disabilities, and much more. Other chapters in this release cover Measurement of Social Skills Treatment Outcome in Autism: Moving Beyond Informant Report and Considering Diversity, Cognitive Outcome Measures for tracking Alzheimer's Disease in Down syndrome, A Scoping Review of Psychosocial Interventions for Neurogenetic Conditions across the Lifespan, Clinical Trials and Outcome Measures: Lessons Learned from Chromosome 15 disorders, and more.
How did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.
Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist whose prescient theoretical and critical interventions have bridged Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey's search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip-hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to readers to continue to ask the hard questions and write the hard truths.
Wasn't That a Mighty Day: African American Blues and Gospel Songs on Disaster takes a comprehensive look at sacred and secular disaster songs, shining a spotlight on their historical and cultural importance. Featuring newly transcribed lyrics, the book offers sustained attention to how both Black and white communities responded to many of the tragic events that occurred before the mid-1950s. Through detailed textual analysis, Luigi Monge explores songs on natural disasters (hurricanes, floods, tornadoes, and earthquakes); accidental disasters (sinkings, fires, train wrecks, explosions, and air disasters); and infestations, epidemics, and diseases (the boll weevil, the jake leg, and influenza). Analyzed songs cover some of the most well-known disasters of the time period from the sinking of the Titanic and the 1930 drought to the Hindenburg accident, and more. Thirty previously unreleased African American disaster songs appear in this volume for the first time, revealing their pertinence to the relevant disasters. By comparing the song lyrics to critical moments in history, Monge is able to explore how deeply and directly these catastrophes affected Black communities; how African Americans in general, and blues and gospel singers in particular, faced and reacted to disaster; whether these collective tragedies prompted different reactions among white people and, if so, why; and more broadly, how the role of memory in recounting and commenting on historical and cultural facts shaped African American society from 1879 to 1955.
What does a musical theatre choreographer actually do? They just 'make up the steps', right? This book firstly debunks the misunderstandings around what musical theatre choreographers actually do, demonstrating their need to have an in-depth understanding of storytelling, music theory, performance practices and plot structure in order to create movement that enhances and enlivens the musical. Secondly, it equips the musical theatre choreographer with all the tools needed to create nuanced, informed and inspired movement for productions, through structured activities that build specific skills (such as 'notating the script' and 'scoring the score'). Traditionally, this training has been something of a series of secrets, passed from mentor to apprentice. The author demystifies the process to make the previously undisclosed "tricks of the trade" accessible to all choreographers, everywhere. Covering the entire process of choreographing a musical from the first script reading to the final curtain call, this book makes case for the absolute integrity of the choreographer to any musical theatre production and sets out the theoretical principles of choreography alongside the practical application during every step of the production process.